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Two Fish | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Two Fish

Two Fish

PrintsJapanese19th century

Two Fish

19th century

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

actual: H. 24.1 x W. 35.6 cm (9 1/2 x 14 in.)

Related Artworks

THIRTY-SIX VIEWS OF YEDO, "SHITAYA NIROKOJI"

THIRTY-SIX VIEWS OF YEDO, "SHITAYA NIROKOJI"

Utagawa Hiroshige II, Late Edo period, 1862

Ink on paper

19th centuryJapanese

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Courtesan as Tōbōsaku (Dongfang Shuo), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Courtesan as Tōbōsaku (Dongfang Shuo), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, Edo period, circa 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

19th centuryJapanese

Sacred Light of Massaki (Massaki no jintō), detached book pages from Pictures of Both Banks of the Sumida River (Ehon Sumidagawa ryōgan ichiran)

Sacred Light of Massaki (Massaki no jintō), detached book pages from Pictures of Both Banks of the Sumida River (Ehon Sumidagawa ryōgan ichiran)

Katsushika Hokusai 葛飾北斎, c. 1805-06

Two adjacent two-page spreads from a woodblock-printed book; Ink and color on paper

19th centuryJapanese

Mount Fuji Viewed during a Fine Wind on a Clear Morning (Gaifū kaisei), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Mount Fuji Viewed during a Fine Wind on a Clear Morning (Gaifū kaisei), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Still Life with Fans and Calligraphy Accoutrements

Still Life with Fans and Calligraphy Accoutrements

Yashima Gakutei 八島岳亭, Edo period, circa 1819

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), Number 100 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), Number 100 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Higuchi Jirō Disguised as Boatman Matsuemon (Sendō Matsuemon jitsu wa Higuchi Jirō)

Higuchi Jirō Disguised as Boatman Matsuemon (Sendō Matsuemon jitsu wa Higuchi Jirō)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, 19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Elegant Sites of the Capital at a Glance (Teito gakei ichiran), 2nd of 4 Volumes

Elegant Sites of the Capital at a Glance (Teito gakei ichiran), 2nd of 4 Volumes

Kawamura Bunpō 河村文鳳, Late Edo period, 1809-1816

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Court lady watching cock fight

Court lady watching cock fight

Totoya Hokkei 魚屋北渓

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Dutch Couple (Oranda koku), from an untitled series of foreigners with their flags, published by Izumiya Ichibei

Dutch Couple (Oranda koku), from an untitled series of foreigners with their flags, published by Izumiya Ichibei

Utagawa Yoshikazu, Late Edo period, tenth month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Courtier Standing by Woman's Chamber Listening, from the Tale of Genji(?)

Courtier Standing by Woman's Chamber Listening, from the Tale of Genji(?)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese