PrintsJapanese19th century

THIRTY-SIX VIEWS OF YEDO, "SHITAYA NIROKOJI"

Late Edo period, 1862

Artists

Utagawa Hiroshige IIArtist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Nichiren in the Snow at Tsukahara on Sado Island (Sashū Tsukahara setchū), from the series Sketches of the Life of the Great Priest (Kōsō goichidai ryakuzu)

Utagawa Kuniyoshi 歌川国芳, Edo period, circa 1830-1835 (Tenpō 1-6)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Ichiyūsai Kuniyoshi hitsu"

19th centuryJapanese

Prints

One Hundred Beauties of the Yoshiwara Poems by the Gokawa Murasaki Club (Gokawa Murasaki ren hyaku ban no uchi), with poems by Yusuiro Kawafune and an associate

Utagawa Kunisada 歌川国貞, Edo period, circa 1825-1830

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper, with printed signature reading "Motomeni ōji Kunisada ga"

19th centuryJapanese

Prints

Triptych: Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

The Cushion Pine at Aoyama (Aoyama Enza no matsu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Ichikawa Danjūrō IX as Musashibō Benkei in The Subscription List (Kanjinchō)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, datable to 1890

Center panel from a woodblock print (nishiki-e) triptych; ink, color, gauffrage, and metallic pigment on paper

19th centuryJapanese

Prints

Two Men and a Woman Making Candies/ Saka no Shita, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Triptych: Sumidagawa watashi no zu, from the series Tōto meisho zue

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Prints

Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Sōgo at the Ferry Landing—An Authentic View

Kobayashi Kiyochika 小林清親, 1884 (Meiji 17)

Woodblock-print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Hino no Kumawakamaru from the Record of the Great Peace (Hino no Kumawakamaru: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

ACTOR

Murai Fusatane, Late Edo period, circa 1853

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese