c. 1730
The painting depicts Maharao Durjan Sal of Kota (r. 1723-1756) plaiting Krishna’s hair. The Maharao is distinguished by his double-pearl earring, elaborate dress and jewelry, and halo bordering his profile. Krishna, the eighth avatar of Vishnu, revered as a god in his own right. The enthroned blue-skinned deity also bears double-pearl earring, jewelry, and halo. Krishna gesters to a priest seated cross-legged in front of him, who wears a translucent shawl and white skirt. Three other figures face Krishna, either seated or standing. An attendant near the throne carries a long sword over his left shoulder. Behind Durjan Sal is an attendant carrying a fan made of peacock feathers. The depiction of Krishna refers to Brijnathji, a local form of Krishna that was the family deity of the royal family of Kota. Brijnathji is frequently rendered either accompanying a ruler or participating in Kota courtly activities, conflates the deity with the ruler, fostering the concept of the “divine king”, and demonstrates a direct relationship between the king and god. Rajput Style.
35.2 x 30 cm (13 7/8 x 11 13/16 in.) framed: 66.04 x 58.42 x 1.91 cm (26 x 23 x 3/4 in.)
Black ink, watercolor, opaque watercolor and gold on off-white laid paper; Rajput Style
18th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor and silver on paper; Rajput Style, Mewar School
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk on paper
18th centuryIndianOpaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianOpaque watercolor, gold, and silver on paper; Kishangarh Style
18th centuryIndianInk, opaque watercolor and gold on paper; Pahari Style
18th centuryIndianOpaque watercolor on cloth
18th centuryIndian