c. 1651
14.4 x 11.7 cm (5 11/16 x 4 5/8 in.)
Sir Charles Greville, (L. 549, verso, lower left) by descent; to his nephew, George Guy Greville, Fourth Earl of Warwick, Warwick Castle (without the family mark, L. 2600), by descent; to Charles Guy Fulke Greville, Seventh Earl of Warwick, sold; [Sotheby's, London, 17 March 1936, part of lot 128];* to [Edward Speelman, London]. [Schaeffer Galleries, New York], sold; to Leroy M. Backus, Seattle; [Schaeffer Galleries, New York], sold; to [Robert M. Light & Co., Boston], sold; to the Fogg Art Museum, 1956; Friends of the Fogg Art Museum Fund, 1956.228. *In the 1936 Sotheby’s sale from the Earl of Warwick's collection, the Fogg drawing and another small study by Bol executed primarily in gray wash, Bust of a Bearded Old Man in a Velvet Beret (Sumowski Drawings, 1, no. 143x), were sold as a single lot in one frame. In his entry on the Fogg study (Drawings 1, no. 105), Sumowski describes the drawing formerly in the Earl of Warwick collection as a separate work--“A pen and wash drawing of the same representation (127 x 101 mm), perhaps the conceptional (sic) sketch for the present drawing”--but they are one in the same. The dimensions he gives for the putative sketch are those of Bust of a Bearded Old Man in a Velvet Beret, which is smaller than the Fogg sheet, and this is perhaps why he assumed that the Warwick Woman in a Window with a Pear was another version of the composition.
Charcoal (oiled?), black chalk, and white chalk on brown antique laid paper
17th centuryDutchBlack chalk, black ink, gray and brown wash on oatmeal antique laid paper, framing lines in brown ink
17th centuryDutchOpaque watercolor and brown ink with touches of transparent watercolor on off-white antique laid paper, mounted, triple framing line in black, gold, and brown
17th centuryDutchCharcoal and white chalk on off-white antique laid paper prepared with brown wash (?), framing line in charcoal; verso: red chalk squiggle
17th centuryDutchBrown ink and black chalk on off-white antique laid paper; verso: black chalk
16th-17th centuryDutchBrown ink and blue wash on cream antique laid paper, framing line in brown ink
16th-17th centuryDutchBlack ink and watercolor with gray wash and black chalk on off-white antique laid paper; framing line in faint graphite
17th centuryDutchBrown ink and brown wash over black chalk with touches of graphite on off-white antique laid paper; framing lines in brown ink
17th centuryDutchGraphite on parchment
17th centuryDutchBrown ink and brown and gray wash over black chalk on cream antique laid paper; verso: black chalk or crayon trial strokes and incidental stray red chalk
17th centuryDutchBrown ink and gray wash on beige antique laid paper, framing line in brown ink; verso: black ink and gray wash on beige antique laid paper partially toned with brown wash, framing line in graphite
17th centuryDutchBlack and red chalk, with later additions of brown ink, red chalk, and gray wash, on off-white antique laid paper cut into an oval and mounted to off-white antique laid paper, framing lines and horixontal and vertical axes lines in graphite
17th centuryDutch