17th century
43.2 × 31.5 cm (17 × 12 3/8 in.)
Baron Johann Goll van Franckenstein, Amsterdam and Velzen (his mark, L.2987, verso); to his son, Johan Goll II van Franckenstein, Amsterdam and Velzen, by descent; Pieter Hendrik Goll van Franckenstein, Amsterdam, by descent; possibly his sale, De Vries, Amsterdam, 1 July and following days 1833; L. X. Lannoy, Amsterdam; his sale, De Vries, Amsterdam, 1-2 December 1893, lot 65 (as "Christ and the Adulterous Woman"); Alister Mathews, Branksome Park, Dorset (by 1964); Germain Seligman, New York (his mark, verso, L.3863, verso, lower left and right); Robert M. Light, Santa Barbara (by 1978); Artemis, London; Seiden and de Cuevas, Inc., New York; Harvard Art Museums/Fogg Museum, The Melvin R. Seiden Fund and Louise Haskell Daly Fund, inv. no. 1984.584
Black chalk on cream antique laid paper
17th centuryFrenchBrush and gray wash and graphite on cream antique laid paper, framing lines in brown ink
17th centuryFrenchGraphite on parchment, framing lines in black ink, mounted
17th centuryFrenchBlack ink with brown and red chalk wash over traces of red chalk on off-white antique laid paper, framing lines in black ink
17th-18th centuryFrenchBlack chalk on light tan antique laid paper, laid down on a decorated mount
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrenchBrown ink and brown wash with traces of black chalk on off-white antique laid paper, corners made up
17th centuryFrenchBlack ink and gray and brown wash on cream antique laid paper, framing lines in black ink
17th centuryFrenchBrown ink, brown wash, and white gouache over black chalk on tan antique laid paper, framing lines in brown ink, laid down on card and off-white paper
17th-18th centuryFrenchBrown ink and graphite on off-white antique laid paper, framing lines in brown ink
17th centuryFrenchBrown ink on cream antique laid paper
17th centuryFrenchGray wash and graphite on cream antique laid paper, framing lines in black ink
17th centuryFrench