450-400 BCE
On the shoulder: egg and dart pattern above three palmettes with alternating red and black petals. On the body: in the center, there is a gravestone on a two-stepped platform with a crowning ornament of scrolls, acanthus leaves and palmettes which invades the top border. A series of red fillets are tied around the gravestone. Two small circular objects are suspended in the air; might be mirrors or libation bowls (phialai). On the left there is a woman who approaches the tomb carrying a plemochoe (a distinctive type of vessel for perfumed oil) in her right hand and a fillet in her left. She wears her hair tied up by a red fillet, and she would have worn a red robe but only a few traces remain. On the right, there stands a young man with brown hair in a yellow tunic (chiton) and red cloak (chlamys). His right hand rests on the gravestone and his left holds up a long spear. His traveller’s cap (petasos) and scabbard are partially visible behind him. His shield rests in side view against the gravestone. A band of meander pattern decorates the top of the body. The vase has been broken and mended extensively, with some overpainting.
37.4 cm (14 3/4 in.)
Acquired by Henry W. Haynes, c. 1873-1878. Bequest of Henry W. Haynes to the Department of the Classics, 1912. Transfer from the Department of the Classics, 1977.
Fritware painted with luster (copper and silver) over white lead alkali glaze opacified with tin
12th-13th centuryPersianTerracotta; reddish yellow clay with slip, decoration in dark brown glaze
7th century BCEGreekTerracotta
4th century BCEGreekCarved rhinoceros horn
18th centuryChineseCeramic
18th centuryJapaneseJian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide, the base with an incised inscription reading 'Gongyu'. From the kilns at Shuiji, Jianyang county, Fujian province, probably from those at Luhuaping or Chidun.
12th-13th centuryChineseSilver
18th centuryAmericanCoin silver
19th centuryAmericanSilver
19th-20th centuryBurmeseKohiki type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip carefully applied to form hard-edged geometric patterns, with artist’s mark impressed on the base
21st centuryJapaneseSilver
1st century BCERoman