3rd-1st century BCE
Votive terracotta scrotum. Buff clay, porous, with gritty black impurities. Most likely from a sanctuary votive deposit in Etruria (central Italy). Such terracotta scrota may have been given either as a request or as an offering of thanks for fertility or more broadly for the well-being of offspring. The representation of testicles in isolation from the penis is confined to the large sanctuaries of Vulci, Veii, Fregellae, and Rome. The practice of creating and dedicating anatomical renderings as votive offerings was widespread in ancient Etruria and Latium, evident from the seventh century BCE onward and most popular in the Hellenistic period (3rd–1st centuries BCE). A variety of body parts were depicted, from whole and half heads, to arms and legs, hands and feet, and fingers and toes, to eyes and ears, female and male genitalia, and breasts, to internal organs, including the uterus, heart, and bladder. Anatomical votives have been found exclusively at sanctuaries, spread over some 300 sites in the Etrusco-Italic region. Similar votives appear also in Greek sanctuaries, though in the shrines of very few gods (e.g., Asklepios), whereas a wide range of the gods worshipped in Etruria and Latium received anatomical votives. Because very few Etruscan anatomical votives include dedicatory inscriptions, it is uncertain whether they were offered to a god according to a vow (ex voto) to give thanks after a wish had been fulfilled or to encourage the god’s participation in granting a request or prayer. In either case, votives appear to have been offered by individuals as part of a ritual, with considerable numbers of such votives found at or near sanctuary altars and most found grouped in secondary deposits (presumably to make room for new offerings). In the absence of dedicatory inscriptions, the meaning of these anatomical votives is debated. They may have been given more literally for the protection or cure of certain body parts and their capabilities, or they may have represented something more figurative (e.g., ears signifying being heard by the god, eyes as being seen, or hands expressing persistent prayer). For further reading, see: Matthias Recke, “Science as Art: Etruscan Anatomical Votives,” in The Etruscan World, ed. Jean MacIntosh Turfa (London: Routledge, 2013), 1068–85. Matthias Recke and Waltrud Wamser-Krasznai, Kultische Anatomie: Etruskische Körperteil-Votive aus der Antikensammlung der Justus-Liebig-Universität Giessen (Stiftung Ludwig Stieda) (Ingolstadt: Deutsches Medizinhistorisches Museum, 2008). Jean MacIntosh Turfa, “Anatomical Votives,” in Thesaurus Cultus et Rituum Antiquorum (ThesCRA), vol. 1, Processions – Sacrifices – Libations – Fumigations – Dedications (Los Angeles: Getty Publications, 2004), 359–68.
Plaster
20th centuryGermanCold-painted funerary ware: molded light gray earthenware with traces of cold-painted pigments over white gesso gound
2nd-1st century BCEChineseMarble
20th centuryAmericanHard-paste porcelain decorated with polychrome enamels and gold
18th centuryGermanTerracotta
3rd-2nd century BCEGreekTerracotta
4th-1st century BCEGreekEnameled Cizhou ware: light gray stoneware with clear glaze over white slip ground, the decoration painted in underglaze brown slip and overglaze red, green, and yellow enamels
13th-14th centuryChineseLead
7th-5th century BCEGreekBronze
20th centuryAmericanTerracotta

copper, aluminum, and bronze
21st centuryGermanTerracotta
9th-8th century BCECypriot?