3rd-2nd century BCE
Seated young woman, draped. Her hair is drawn back in a complicated hairdo, similar to “melon” style: separated into four sections, twisted, and brought back into a small bun at the nape. The two center sections are crowned by smaller buns or ornaments (likely ivy berries), with separate locks of curly hair framing the face. Small head, looks down to the left. Regular features. Oval face with a small forehead. Small eyes with both lids rendered in relief; small, straight nose; small, closed mouth. She wears a light chiton that covers her right shoulder but seems to fall off the left. A thicker himation or mantle covers her lap and legs. Sitting on a rectangular stool with a cushion, her right arm falls next to the body with her hand resting on the seat. Her left arm is bent at the elbow and rests upon her thigh, holding something flat in her hand, possibly a mirror (now missing). Her left leg is up, with the foot placed on what appears to be a footrest; the larger right foot lands on the figure’s base. She wears plain shoes. Would have been painted originally, now only traces of white ground extant. Hollow. Mold-made in two bivalve molds, likely plaster. No venthole. Detailing of hair incised. The back is modeled with care; here we get a sense of the woman’s weight won the stool’s cushion. Attached to a rectangular, narrow base; the stool is placed at an angle, lending the otherwise stiff figure a bit of dynamism. The clay is bright brick-red and finely levigated; hard-fired.
13.8 × 6.2 × 10 cm (5 7/16 × 2 7/16 × 3 15/16 in.)
Plaster
Dark limestone
3rd millennium BCEAkkadianTerracotta
Ying stone: black limestone with veins of white calcite. From Yingde, Guangdong province.
18th centuryChineseLight gray stoneware with incised and molded decoration, the roof covered with a grayish-green celadon glaze
13th-15th centuryChineseYue ware: molded light gray stoneware with celadon glaze over incised details. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-11th centuryChineseBronze
20th centuryAmericanBronze
16th-15th century BCEMinoanPigmented beeswax with natural resin, oil painting on copper support, glass, plant fiber, paper, and wooden frame with metal inlay and hardware
17th centuryItalianBronze
ChineseMarble
19th centuryAmerican