c. 1652
plate: 15.1 x 20.5 cm (5 15/16 x 8 1/16 in.) sheet: 16.4 × 21.6 cm (6 7/16 × 8 1/2 in.)
John Barnard, (Lugt 1419), auction sale, 1798. The Barnard sale was distinguished for its Rembrandts, especially impressions on Japan such as this. Evans?, sale to Gray?, 1856. An annotation on the reverse suggests that the print was acquired by Gray from the London dealer Evans in 1856; it is known that many of his best old-master impressions came from Evans at that time. Francis Calley Gray, purchase from Evans?, 1856, bequest to nephew, 1856. William Gray, gift to Harvard University, 1857.
Etching and drypoint with light plate tone, with touches of gray wash in some drypoint areas, on off-white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint with light plate tone on white antique laid paper discolored to tan
17th centuryDutchEtching and drypoint on off-white antique laid paper
17th centuryDutchEtching and drypoint with plate tone on tan Japanese paper
17th centuryDutchEtching and drypoint with mezzotint rework on white antique laid paper
17th centuryDutchEtching and drypoint with considerable plate tone (posthumous impression) on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint on heavy white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutchEtching and drypoint on white antique laid paper
17th centuryDutch