Cottage with a White Paling

Etching on white antique laid paper, with arched upper corners

Etching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper

Etching and drypoint with added mezzotint on white 18th-c. antique laid paper

Etching and drypoint, perhaps with touches of gray wash, on white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint on white antique laid paper discolored to tan

Etching and dryoint with gray wash added throughout on off-white wove paper

Etching and drypoint on white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint with plate tone and added touches of gray wash on white antique laid paper