Cottage with a White Paling

Etching and drypoint on white antique laid paper

Etching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper

Etching and drypoint on white antique laid paper discolored to tan

Etching and drypoint, perhaps with touches of gray wash, on white antique laid paper

Etching and drypoint on heavy white antique laid paper

Etching and drypoint with added touches of black ink and gray wash on off-white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint with plate tone on pale tan Japanese paper

Etching with touches of drypoint on white antique laid paper

Etching and drypoint with plate tone on tan Japanese paper