last quarter 18th century
Square cloth of white satin ground weave with polychrome embroideries of grapes, wheat blades, leaves, tendrils around edge with a wide gold border and braided tassels at each corner. In the center is an IHS monogram, with a cross above and three nails below, in a medallion with radiating beams. Stitches include bullion, satin and whip. Backed with crream silk satin with gold metallic braid.
25.7 × 25.7 cm (10 1/8 × 10 1/8 in.)
Charles A. Coolidge, Boston, gift; to Fogg Art Museum, 1931
Silk, cut and uncut voided velvet on white satin ground
16th-17th centuryItalianPolychrome silk-floss embroidery in satin stitch on a dark blue silk damask ground and gold thread border
19th centuryKoreanwool pile on a foundation of cotton warps and wefts
17th centuryIslamicJute and cellophane, broken twill weave
20th centuryGermanLavender silk twill ground with brocaded decoration
19th centuryChineseStitched fabric; cut triangular pieces of dyed, silk damask, sewn together to form a square fabric; with appliqué decorative bow and knots; with white silk damask border
19th-20th centuryKoreanFiber
FrenchSilk brocade
JapaneseLinen and wool, tapestry woven
8th centuryCopticWarps: 2 Z spun S plied undyed ivory wool on 2 distinct levels. Wefts: 1 Z spun wool in red, white and ornage; 2 yarns per shoot; pronounced lazy lines. Pile: 2 Z spun S plied woo. Pile colors: dark red (abrashed), pale orange, pale red (shifting from orange-ish to purplish), yellow-beige, very pale green, light grey, blue grey, dark blue, white undyed wool, dark black-brown, and white cotton which has turned a sort of ecru color. Knots: symmetrical. Woven upside down. 70 knots per vertical decimeter. 45 knots per horizontal decimeter. Both selvedges: replaced. Top end: 1 cm. green and red tapestry weave, stripped. Bottom end: 1 1/2 cm. green tapestry weave in 1/2 cm green and red stripes, stripped. Woven upside down.
19th centuryTurkish