17th century
The Prophet Muhammad was buried in the southeastern corner of his mosque in Medina. Like the annual textiles sent to furnish the Kaʿba in Mecca, special textiles were made for the Prophet’s tomb. These included silk curtains and door covers. This kind of green-ground zig-zag textile once formed part of an interior fabric for his tomb. Its thuluth inscriptions focus on prayers upon God, Muhammad, and the four orthodox caliphs and companions of the prophet. It was likely later cut up and reused as a tomb cover.
138 x 67.5 cm (54 5/16 x 26 9/16 in.)
Stuart Cary Welch (by 1999 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1999.
Wool
19th centuryTurkishWool and linen
7th-8th centuryByzantineResist-dyed red damask silk utilizing stitch-resist (nuishime shibori) and tie-dying (kanoko shibori) techniques; selected motifs embroidered with gold-paper-wrapped and polychrome silk threads
18th centuryJapanesecompound silk weave
19th centuryPersianSilk on linen
18th-19th centuryOttomanSilk brocade; linen lining; taffeta fitted back panel
19th centuryAmericanSilk lampas
17th centurySpanishInk on silk
20th centuryAustrian