17th century
The Prophet Muhammad was buried in the southeastern corner of his mosque in Medina. Like the annual textiles sent to furnish the Kaʿba in Mecca, special textiles were made for the Prophet’s tomb. These included silk curtains and door covers. This kind of green-ground zig-zag textile once formed part of an interior fabric for his tomb. Its thuluth inscriptions focus on prayers upon God, Muhammad, and the four orthodox caliphs and companions of the prophet. It was likely later cut up and reused as a tomb cover.
138 x 67.5 cm (54 5/16 x 26 9/16 in.)
Stuart Cary Welch (by 1999 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1999.
Satin-stitch embroidery using multicolored silk flosses on a black silk satin ground
19th centuryKoreanWool and linen
7th centuryByzantineTextile fibers
20th centuryAmericanPashmina wool (undercoat of cashmere goat) pile on a foundation of silk warps and cotton wefts
18th centuryIndianBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseFiber
ItalianWarps: 3 Z spun S plied undyed white wool, some slightly darker; alternate warps slightly depressed. Weft: 1 ply Z spun undyed buff, or dyed red (Qashqai); 2 or 3 yarns per shoot. Pile: 2 S plied Z spun wool. Pile colors: dark indigo blue, blue green, medium blue, yellow, yellow green, white, dark brown/black. Knots: asymmetrical, open to the left. Knots per vertical decimeter: 49. Knots per horizontal decimeter: 48. Both selvedges: rewrapped. Top end: approz 1 cm. blue and white double cloth float weaved followed by double line countered soumak in red and white. Bottom end: stripped.
19th centuryPersianInk on silk
20th centuryAustrianHandwoven maguey fiber
20th centuryAmericanwool; twill tapestry weave, double-interlocked
18th centuryIndianWool and linen
3rd-5th century CEByzantinesilk
16th centuryItalian