19th century
Standing barefoot on a white terrace is a Virahotkanthita Nayika, (“One Distressed by Separation”), a heroine that waits for her lover to return from a long journey. She wears a gold-green costume, a shawl that is draped over her head, earrings, necklaces, a head ornament, a nose ring, rings, and bracelets. Her finger tips are dyed with henna. Her right hand is placed over her heart, holding her garment up. Next to her is a large male pigeon and a mourning dove. In the foreground is a small fountain flanked by flower patches. The background features two large flowering trees and large red blooms. Pahari Style, Kangra School.
26.3 x 17.4 cm (10 3/8 x 6 7/8 in.)
Graphite on beige wove paper (recto); Top: relief print with watercolor and gold on tan wove tracing paper (verso); Bottom: rawhide, handcut (verso)
19th centuryPersianInk opaque watercolor and gold on paper
18th centuryOttomanInk, gold, and opaque watercolor on paper
16th centuryPersianGraphite on off-white wove paper; pricked and pounced with black chalk, verso rubbed with red chalk (recto); Red ink with touches of graphite on off-white modern laid paper; pricked (verso)
19th centuryPersianBlack ink on off-white paper
16th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianBlack line, opaque watercolor, gold and metallic gray watercolor on paper
18th centuryIndianInk and colors on paper; leather and gold binding
18th-19th centuryPersianBrush drawing accented with gold, silver and opaque watercolor on paper
16th centuryOttomanLeft: brown ink over graphite on off-white modern laid paper; pricked and pounced with charcoal; Right: brown ink over graphite on off-white modern laid paper; pricked and pounced with charcoal (recto)
19th centuryPersianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
16th-17th centuryMughal