18th century
The poetry that usually accompanies the Vilaval Ragini describes a young heroine (nayika) preparing to meet her lover. She is commonly shown looking into the mirror as she puts on her jewelry. In this painting, she stands on a platform on a terrace admiring herself in a mirror that a female attendant holds up. She holds the mouthpiece of a hookah in her right hand. Four other female attendants surround the heroine; one holds up a fly whisk, one holds the hookah base, one holds a fan, and the final attendant holds a garland of flowers. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput, Pahari, Kangra school.
19.21 x 13.34 cm (7 9/16 x 5 1/4 in.)
Ink, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper.
18th centuryIndianOpaque watercolor, gold, and silver on paper; Rajput Style
18th-19th centuryIndianInk, opaque watercolor and gold on paper; Rajput Style, Malpura School
18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper.
18th centuryIndianOpaque watercolor, gold, and tin on paper
18th centuryIndianInk , Opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndian