1780-1790
The Asavari Ragini, is commonly represented by a female heroine (nayika) that charms snakes either through her dance or through her music. In this painting, the female figure sits on an outcropping of lilac-colored rocks, between two silvery bodies of water. She plays a pungi, a type of wind instrument, to charm the snakes. The snakes spiraling down the tree and coiling around the figure’s limbs. Contrary to the stereotypical presentation of Asavari Ragini as a dark-skinned tribal woman garbed in leaves or feathers, she appears in this painting as fair-haired and fashionably dressed, with fingertips colored by henna. Her upswept topknot signals that she should be viewed as a yogini—a woman who follows the Hindu ascetic path. Conventionally, Asavari Ragini is a solitary figure, but here she is accompanied by a semi-clad ascetic, who stands at left. The standing ascetic is attended by a dog and holds a fan and a meditation crutch, all of which symbolize that the devotee is of the ascetic Nath order. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation). Deccan.
24.3 x 15.2 cm (9 9/16 x 6 in.)
Dr. Konrad Seitz, Munich, (1969-2013), sold; through [Simon Ray LImited], to; the Harvard Art Museums, 2013.
Opaque watercolor, gold and silver on paper
18th centuryIndianOpaque watercolor and silver on paper; Rajput Style, Mewar School
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor, ink, and metallic pigment on paper; Pahari Style
18th centuryIndianOpaque watercolor, gold, and tin on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor, ink, and gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndian