12th-13th century
It was not unusual for Islamic potters to copy more prestigious metalwork, as can be seen in this ceramic ewer imitating the metal shape of contemporary ewers from Herat. The potter followed this shape closely, giving his ewer a fluted body, a molding where the neck joins the body, and a thumb rest on the handle. He has even reproduced the lugs on the neck, which would have served no purpose on the ceramic version. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
25.5 cm (10 1/16 in.)
Terracotta
4th century BCESouth ItalianSilver
18th centuryBritishTerracotta
1st millennium CEByzantineProbably Korean Kaya-type ware, possibly Japanese Sue ware: gray stoneware with openwork decoration and with splashes of natural ash glaze
6th centuryKoreanYue ware: light gray stoneware with celadon glaze over molded and appliqué decoration. From the Yue kilns in the Shaoxing area, northeastern Zhejiang province.
3rd century CEChineseVery light green glass
1st-2nd century CERomanYue ware: light gray stoneware with celadon glaze over molded, carved, and incised decoration
10th-11th centuryChineseGlass
2nd-4th century CERomanSilver
17th centuryBritishTerracotta
3rd century BCESouth ItalianNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 10 (shi) inscribed on base before firing; "Yangxin dian Dongnuan ge louxia yong" (Hall of Mental Cultivation, used in the East Heated Chamber, main floor) inscription incised on base at a later date
15th centuryChinese