18th century
Standing on a gold pedestal is a female figure, who may be identified as a vasakasajja nayika, or a heroine that dresses up for her lover. The nayika holds onto her long, wet, black hair. The heroine has just had a bath, which is signified by the large basin and ewer carried by one of her attendants. The other attendant holds up a flywhisk, denoting the heroine’s royal status. Kneeling before the nayika is a bare chested female attendant wearing a white skirt, who adjusts the heroine’s long, pink skirt. There are two attendants on the left, one carries a large, gold, square tray with the nayika’s red dress. The figures stand on a white terrace. Pahari School, Kangra Style.
20.96 x 15.72 cm (8 1/4 x 6 3/16 in.)
Ink with opaque watercolor and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
16th centuryPersianInk and opaque watercolor on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th centuryPersianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
17th centuryOttomanOpaque watercolor and gold on paper
17th centuryIndianLeft: brown ink over graphite on off-white modern laid paper; pricked and verso pounced or rubbed with red chalk; Right: brown ink over graphite on off-white modern laid paper; pricked and verso pounced or rubbed with red chalk (recto)
19th centuryPersianTop: black ink over graphite on beige wove paper; Middle: red ink over graphite on off-white wove paper; Bottom: black ink over black counterproof on off-white wove paper (recto); Brown and gray inks on off-white wove paper (verso)
19th centuryPersianInk, gold, and opaque watercolor on paper
16th centuryPersianInk, opaque watercolor and gold on paper
17th-18th centuryMughal