1710-1711
The design of this textile consists of a repeating, mirrored inscription in cartouches separated by quatrefoil motifs. The inscription gives a date of 1122 H or 1710/1711 and reads, “Ya Imam Husayn Shahid” (Oh Imam Husayn, the martyr). It refers to the grandson of Muhammad and the third Shia imam, Husayn (d. 680). The inscription identifies him as “shahid” or martyr, alluding to his death at the Battle of Karbala, an event memorialized by Twelver Shia Muslims during the Safavid period. This fragment was likely once part of a much larger textile. Today, it appears bichromatic with primarily red and light brown wefts, but surviving green threads at its edges suggest it was originally more colorful.
Red velvet with silk embroidery
18th centurywool; twill tapestry weave, double-interlocked
18th centuryIndianSilk lampas damassé
18th centuryFrenchDark blue ground with medallion elements in 'kesi' silk tapestry weave
18th-19th centuryChineseRamie with vegetable dyes and mineral pigments; stenciled and free-hand paste-resist decoration applied on both sides of fabric
18th-19th centuryJapaneseSilk with silver and silver-gilt filé and lamé strips and gilt frisé.
18th centuryFrenchSilk with metallic yarns filé and lamé, pearls and jewels
18th centuryGreekSilk
18th centuryEuropeanResist-dyed silk damask ground detailed with stenciling and with decoration embroidered in dyed silk threads and gilt-paper-wrapped threads
18th centuryJapaneseColored silk on white ground
18th centuryFrenchsilk (ciselé velvet)
17th-18th centuryItalian