PrintsJapanese19th century

Pink Octopus and Three Dancing Women from the series Glorious Amusements of the Brothel Niwaka Festival (Seiro Niwaka zensei asobi)

Late Edo period, circa 1800-1806

Artists

Kitagawa Utamaro 喜多川歌麿Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "aiban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 31.5 x W. 23 cm (12 3/8 x 9 1/16 in.)

Related Artworks

Prints

Woman Strolling to Marishiten Shrine/ Boar (I) -- Shitaya, from the series Allusions to the Twelve Zodiac Animals at Famous Places in Edo for the Ichiyō Circle (Ichiyōren Edo meisho mitate jūnishi), with poems by Bunkyosha Takamaru, Bunshukusha Otoyoshi,

Yashima Gakutei 八島岳亭, Edo period, 1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink and color on paper

19th centuryJapanese

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Fukurokuju (Fukurokuju): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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Prints

Ono no Komachi Looking in a Mirror

Katsukawa Shuntei, 18th-19th century

Ukiyo-e woodblock printed "surimono"; ink, color metallic pigment and embossing on paper

18th-19th centuryJapanese

Prints

Railway Line at Takanawa (Takanawa tetsudō no zu)

Tsukioka Yoshitoshi 月岡芳年, Tenth month of 1871

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Three Women and Two Children on Balcony by Temple

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese

Prints

Hawk (Taka) and Azalea, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates

Kubo Shunman 窪俊満, Edo period, circa 1810

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase)

Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

18th-19th centuryJapanese

Prints

Fuji with Broken Form in Deep Mountain Mist (Sanki fukaku katachi o kuzusu no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Nihonbashi Street Scene

Shōsai Ikkei 昇斎一景, Early Meiji period, late 19th century

Right sheet from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Yamatoya, from the series Yakusha butai no sugata-e

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych(?); ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

Hideyoshi and his Five Wives Viewing the Cherry Blossoms at Higashiyama

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1803-1804

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and colors on paper with printed signature reading "Utamaro hitsu"

19th centuryJapanese

Prints

Man Vendor and Child/ Seki, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese