PrintsJapanese

Shikizome no Yusho, from the series Eight Views of the Licensed Quarter

Artists

Utagawa Sadakage (Gokotei)Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono": ink, color, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 21 x W. 18.6 cm (8 1/4 x 7 5/16 in.)

Related Artworks

Prints

No. 25, Nissaka: Mount Mugen, the Night-crying Stone, and Sayo Mountain Pass (Mugenzan, Yonaki-ishi, Sayo-no-nakayama), from the series The Tōkaidō Road, The Fifty-three Stations (Tōkaidō, Gojūsan tsugi no uchi)

Utagawa Hiroshige 歌川広重, c. 1850-51

Japanese

Prints

Harbor Scene

Utagawa Sadahide, 19th century

Yokohama woodblock print; ink and color on paper

19th centuryJapanese

Prints

Night Rain at Gankirō (Gankirō yoru no ame), from the series Eight Views of Yokohama, Bushu (Bushu Yokohama hakkei no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Hino no Kumawakamaru from the Record of the Great Peace (Hino no Kumawakamaru: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

The courtesans Segawa and Matsundo of the Matsuba House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Kitao Masanobu 北尾政演, Mid Edo period, dated 1784

Fourth two-page spread of an accordion-fold woodblock printed book; ink and color on paper

18th centuryJapanese

Prints

Lyrische No. 29

Onchi Kōshirō 恩地孝四郎, Shōwa period, dated 1953

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Chiryū: Early Summer Horse Fair (Chiryū, shuka uma ichi), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-34

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Going Fishing R (Shutsugyo R)

Fukushima Ichirō, Shōwa period, dated 1966

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Hamagawa, from the series Pilgrimages to Enoshima

Totoya Hokkei 魚屋北渓

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

Japanese

Prints

Courtesan Looking at Kimono Train/ Willow Tea (Yanagi-cha yui), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūgentei Karakoto and Ryūtarin Senjō

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Courtesan as Rogō (Lu Ao), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, Edo period, circa 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese