PrintsJapanese

Hamagawa, from the series Pilgrimages to Enoshima

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 21.1 x W. 18.2 cm (8 5/16 x 7 3/16 in.)

Related Artworks

Prints

Actor Bando Mitsugorō 3rd, from an untitled series of actors on the theme of Snow, Moon and Flowers (Setsugekka)

Utagawa Kunisada 歌川国貞, Edo period, circa 1825

Center panel from an ukiyo-e woodblock-printed "koban"-format triptych; ink, color and embossing on paper

19th centuryJapanese

Prints

No. 32, Shirasuka: Shiomizaka, from the series The Tōkaidō Road, The Fifty-three Stations (Tōkaidō, Gojūsan tsugi no uchi)

Utagawa Hiroshige 歌川広重, c. 1850-51

Japanese

Prints

Sculpture and Boy

Sekino Jun'ichirō 関野準一郎, Shōwa period,

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

HARU NO MACHI BANSUZUKI STREETS IN SPRING, TOW STREET PERFORMERS.

Ink on paper

Kitagawa Utamaro 喜多川歌麿

Ink on paper

Japanese

Prints

Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

Quiet Evening

Hashimoto Okiie, Shōwa period, dated 1958

Woodblock print; ink and color on paper with signature reading "Okiie Hashimoto" and printed signature reading "Hashimoto Okiie saku"

20th centuryJapanese

Prints

Nambyō Ryōji

Utagawa Kuniyoshi 歌川国芳, Late Edo period, circa 1847-1852

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Katada Ukimidō, from the series Eight Views of Lake Biwa (ōmi hakkei)

Itō Shinsui, 1918

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Tōfujin, from the Twenty-Four Paragons of Filial Piety (Nijūshikō)

Isoda Koryūsai 磯田湖龍齋, 18th century

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper

18th centuryJapanese

Prints

Brush (Fude), the Third Companion with Ono no Tōfū, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)

Yashima Gakutei 八島岳亭, Edo period, circa 1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

19th centuryJapanese