PrintsJapanese19th century

Fan and Jardiniere

Edo period, circa 1800-1808

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

21.3 x 29.2 cm (8 3/8 x 11 1/2 in.)

Related Artworks

Prints

A Foreigner Greeting Pygmies, published by Yamadaya Shōjirō

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Prints

Groups of Mountain Climbers (Shojin tozan) at the Summit of Mount Fuji, from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading "zen Hokusai Iitsu hitsu"

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The Amida Waterfall

Katsushika Hokusai 葛飾北斎, 19th century

Woodblock print (nishiki-e); ink and color on paper

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Fuji and Foreign Embassy (Raichō no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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Prints

Flight (Chinsen chihō no go-mei no Nihon-kōhei shin-hei hyaku-yo-nin o uchi shirizoku)

Mizuno Toshikata, Meiji period,

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Doves and Sparrows, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

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Prints

Actor Bando Mitsugorō 3rd Fighting Over Banner, part of a spring kyōka surimono pentaptych for the Sugawara Group led by Shakuyakutei Nagane

Utagawa Kunisada 歌川国貞, Edo period, circa 1822-1826 (mid Bunsei era)

First panel from an ukiyo-e woodblock-printed "shikishi-ban" surimono-format pentaptych; ink, color and metallic pigment on paper

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Prints

Actors as the Sixteen Arhats (Mitate: Jūroku Rakan)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, 19th century

Center panel(?) from an ukiyo-e woodblock-printed "oban" triptych(?); ink and color on paper

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Prints

Hasebe sanshi (Shoku Nihongi), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Harunoya Naritake

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Yang Guifei (Yōkihi) Viewing Cherry Blossoms from Verandah, from the series Cherry Trees for the Katsushika Circle, with poems by Shunrūtei Chikauo (Kaneuo) and Hakumōsha Kazumori (Banshu, Manshu)

Yashima Gakutei 八島岳亭, Edo period, circa 1823

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

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Prints

View of Gyotoku Saltflats (Gyotoku Shiohama)

Utagawa Hiroshige 歌川広重, 19th century

Woodblock print: ink and colors on paper

19th centuryJapanese

Prints

Nihonbashi, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, 1810 (Bunka 7)

Woodblock print (nishiki-e); ink and color on paper

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