PrintsJapanese19th century
Kanbara: Night Snow (Kanbara, yoru no yuki), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō
c. 1833-1834 (Tenpō 4-5)
Artists
Utagawa Hiroshige 歌川広重Artist
Takenouchi Magohachi (Hoeidō) 竹内孫八 (保永堂)Publisher
Dimensions
horizontal ōban: H. 24.6 cm x W. 36.5 cm (9 11/16 x 14 3/8 in.)
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No. 17, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)
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Awa Province: Naruto Whirlpools (Awa, Naruto no fūha), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue)
Utagawa Hiroshige 歌川広重, 1855 (Ansei 2), 9th month
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Hitomoto of the Daimonjiya, from the series Seven Komachi of the Pleasure Quarters (Seirō nana Komachi)
Unknown Artist, 1806
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Fan (Kyō ōgi) from the series Sights and Specialties of Yamashiro Province (Yamashiro meisho meibutsu)
Keisai Eisen 渓斎英泉, 1818-1830
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Umegawa and Chūbei, from the series An Elegant Comparison of Affections (Fūryū aikyō kurabe)
Kitagawa Utamaro 喜多川歌麿, c. 1803 (Kyōwa 3)
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Moon at Genji's Villa (Genji bessō no tsuki)
Utagawa Kunisada 歌川国貞, 1854 (Ansei 1), 12th month
Woodblock print (nishiki-e); ink and color on paper
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Suited to Patterns Stocked by Izugura (Izugura shi-ire no moyō muki), from the series Summer Outfits: Beauties of Today (Natsu ishō tōsei bijin)
Kitagawa Utamaro 喜多川歌麿, c. 1804-06 (Bunka 1-3)
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Ayase River and Kanegafuchi (Ayasegawa Kanegafuchi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Utagawa Hiroshige 歌川広重, 1857 (Ansei 4), 7th month
Woodblock print (nishiki-e); ink and color on paper
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Defying a Shower of Bullets, He, Alone, Opened Hyonmu Gate
Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)
Woodblock print (nishiki-e); ink and color on paper
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Our Naval Forces in the Yellow Sea Firing at And Sinking Chinese Warships
Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)
Woodblock print (nishiki-e); ink and color on paper
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Bunpō gafu zen (Model Sketches by Bunpō)
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The Fall of Fenghuangcheng: Putting the Enemy to Rout (Hōōjō kanraku tekihei kaisō zu)
Mizuno Toshikata, 1894 (Meiji 27)
Woodblock print (nishiki-e); ink and color on paper
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