PrintsJapanese19th century

Actor Ichikawa Danjūrō 8th Making Debut Performance of Shibaraku, with poems by Sanjō (father Ichikawa Danjurō 7th) and Bunbunsha

Edo period, circa 1830-1843 (Tempō era)

Artists

Utagawa Kunisada 歌川国貞Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.3 cm x W. 18.4 cm (8 x 7 1/4 in.)

Related Artworks

Prints

Dancing Girl Mimyō from the Mirror of the East (Maime Mimyō: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Woodblock print (surimono); ink, color, and metallic pigment on paper

19th centuryJapanese

Prints

First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Act Three from the series Record of the Loyal Retainers (Chūyū gishin roku)

Utagawa Kunisada 歌川国貞, 1847-48

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

The Spirit of the Komachi Cherry Tree and Ōtomo no Kuronushi, from the series A Collection of Plays Old and New (Kokon Jōruri zukushi)

Utagawa Hiroshige 歌川広重, 19th century

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

Three Women Tagging Cranes with Poetry Slips (Tanzaku)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese

Prints

Off Kaiyōjima the Japanese Destroyer was Victorious (Kaiyōjima oki nikkan taishō)

Nakamura Shūkō, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Carp Climbing a Waterfall

Totoya Hokkei 魚屋北渓, Edo period, circa early 19th century

Ukiyo-e woodblock printed "surimono"; ink and light color on paper

19th centuryJapanese

Prints

FAMOUS PLACES OF THE 53 STATIONS OF THE TOKAIDO, " ISHIYAKUSHI (STATION 45)

Utagawa Hiroshige 歌川広重, Late Edo period, 1855

Ink on paper

19th centuryJapanese

Prints

Port of London England (Igirisu Rondon no kaikō), from the series Complete Enumeration of Scenic Places in Foreign Nations (Bankoku meisho zukushi no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, 1862 (Bunkyū 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

CAMELLIA AND LOVE BIRD

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese