PrintsJapanese19th century

Sōma Tarō Yoshikado, from the series Ibaraki no keshin

Late Edo period, circa 1843-1847

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Ichiyūsai Kuniyoshi ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

36.2 x 24 cm (14 1/4 x 9 7/16 in.)

Related Artworks

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Great Victory for the Japanese Army at P'yōng Yang (Nichigun Heijō taisho no zu)

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View of the Interior of the Gankirō Tea House in Yokohama (Yokohama Gankirō no zu), published by Daikokuya Kinnosuke

Utagawa Hiroshige II, Late Edo period, fourth month of 1860

Left sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

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Actor Ichikawa Danjūrō 4th ("The Fourth Danjūrō of Kiba")

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Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Woodblock print; ink and color on paper

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Geisha as the Seven Gods of Good Fortune (Shichifukujin)

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Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

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Appearance of Mount Fuji in the 5th Year of Kōrei (Kōrei gonen Fujimine shutsugen): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

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Ukiyo-e woodblock-printed book page; ink on paper

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Two Women Admiring the Scenery of Enoshima (center panel from a triptych)

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Center panel from an ukiyo-e woodblock printed "ōban" triptych; ink and color on paper, with printed signature reading "Utamaro ga"

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