PrintsJapanese19th century

ISHIYAMA SHUGETTSU, from the series Eight Views of Lake Biwa (ōmi hakkei)

Late Edo period, 1854

Artists

Utagawa Seima (Isshōsai)Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 25.4 cm x W. 37.3 cm (10 x 14 11/16 in.)

Related Artworks

Prints

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Attack at the Site of the Hundred-Foot Cliff

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Center panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

Three Geese

Katsushika Hokusai 葛飾北斎, 17th-19th century

Ukiyo-e woodblock print; ink and color on paper

17th-19th centuryJapanese

Prints

Imperial Fleet Firing a Cannon Near Haiyang Island (Kaiyōtō fukin teikoku gunkan happō no zu)

Mizuno Toshikata, Meiji period, 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

View of Gotenyama (and Shinagawa Bay), Print from Keyblock

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print from key block ("nagasurimono" format); ink on paper

19th centuryJapanese

Prints

Fuji from Musashi Plain (Musashino no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)

Totoya Hokkei 魚屋北渓, Edo period, 1823

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Eager to Meet her Lover

Utagawa Kunisada 歌川国貞, Edo period, 1859

Ukiyo-e woodblock print in "ōban" format; ink, color and embossing on paper, with printed signature reading "Toyokuni ga"

19th centuryJapanese

Prints

Fun'ya no Yasuhide, from the series The Six Poets Represented by Modern Children (Tosei kodomo rokkasen)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800-1806

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Utamaro hitsu"

19th centuryJapanese

Prints

Fuji Seen from the Dyers' Quarter (Kon'ya-chō no Fuji): Detatched Page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, 1835 (Tempō 6)

Woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Actors Ichikawa Danjūrō 4th and Segawa Kikunojō 5th in Dressing Room, with poems by Dondontei and associates

Utagawa Kunisada 歌川国貞, Edo period, circa 1815-1830

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese