PrintsJapanese19th century

THIRTY-SIX VIEWS OF FUJI =MIO-NO-MATSUBARA"

Edo period, 1858

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

Tsukioka Yoshitoshi 月岡芳年, 1888

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Illustrated Satirical Poems About Famous Scenic Views in Edo (Kyōka Edo meisho zue), Vol. 2

Utagawa Hiroshige 歌川広重, Late Edo period, dated 1856 (Ansei 3, 5th month)

Woodblock-printed book; ink on paper

19th centuryJapanese

Prints

Two Courtesans Greeting a Man with a Horse/ Goyu, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Recycling Paper/The Fulling Block Shell (Kinutagai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color, metallic pigments, and embossing on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

19th centuryJapanese

Prints

Suijin Grove and Massaki on the Sumida River (Sumidagawa Suijin no mori Massaki), Number 35 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Beautiful American Woman (Amerika bijo), from the series Views of Famous Places of Yokohama in Bushu (Bushu Yokohama meishō no zu), published by Inshūya Hikobei

Utagawa Yoshitora 歌川芳虎, Late Edo period, twelfth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Imperial Fleet Firing a Cannon Near Haiyang Island (Kaiyōtō fukin teikoku gunkan happō no zu)

Mizuno Toshikata, Meiji period, 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Actors as Modern Versions of the Five Women (Tōsei gonin onna)

Utagawa Kunisada 歌川国貞, 1858 (Ansei 5), 6th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Act Three from the series Treasury of Loyal Retainers (Chūshingura: San danme)

Katsukawa Shun'ei 勝川春英, Edo period, late 18th to early 19th century

Ukiyo-e woodblock print in "chūban" format; ink and color on paper, with printed signature reading "Shun'ei ga"

18th-19th centuryJapanese

Prints

Geisha as the Seven Gods of Good Fortune (Shichifukujin)

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Prints

Oyashirazu Beach (Oyashirazuhama), from the series Famous Sights of Japan (Nihon meishō zue)

Kobayashi Kiyochika 小林清親, 1897 (Meiji 30)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese