PrintsJapanese19th century

Holland (Oranda)

19th century

Artists

Utagawa Yoshitora 歌川芳虎Artist

Classification

Prints

Medium

Yokohama woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 36.6 cm x W. 24.9 cm (14 7/16 x 9 13/16 in.)

Related Artworks

Prints

Drawing Fuji from Life (Shashin no Fuji): Half of detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Fuji Seen from Musashino (Musashino no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, c. 1835-1847

Woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Votive Paintings (Emadō) of Peonies, Pheasant and Futami Bay (Futami ga Ura), Number One (Sono ichi) from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates

Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Moon at Musashi Plain (Musashino no tsuki), from the series One Hundred Aspects of the Moon (Tsuki hyaku sugata)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, 1892 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Yoshitoshi"

19th centuryJapanese

Prints

Summer Evening at Ryōgoku Bridge, from the series...

Utagawa Hiroshige 歌川広重, 19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Emperor Meiji and His Consort in the Plum Garden

Kobayashi Kiyochika 小林清親, 1887 (Meiji 20)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Chinese Princess Chu Lianxiang (So Renkō) with Butterflies, spring kyōka surimono for the Manji Group led by Shinratei Manzō 2nd)

Utagawa Kunisada 歌川国貞, Edo period, circa 1825-1829 (late Bunsei era)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Susano-o and Amaterasu

Aoigaoka Keisei, 1832

Left sheet of a ukiyo-e woodblock-printed "surimono" diptych; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Diptych: Female Elephant from Central India (Tenjiku kudari daijōzō no zu), published by Otakuya Takichi

Ikkōsai Yoshimori 一光斎芳盛, Late Edo period, fourth month of 1861

Yokohama woodblock-printed ōban diptych; ink and color on paper

19th centuryJapanese

Prints

Port of London England (Igirisu Rondon no kaikō), from the series Complete Enumeration of Scenic Places in Foreign Nations (Bankoku meisho zukushi no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, 1862 (Bunkyū 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Kohada Koheiji Konoshiro Tomobei kataki uchi maboroshi sōshi (Ghost Story of Konoshiro Tomobei), draft and printed edition

Utagawa Kuniyoshi 歌川国芳, Edo period, 1812 and 1845

Pair of books: draft and printed edition; ink and light color on paper

19th centuryJapanese

Prints

Poet Tōzandō Bokuryō in Contemplation in His Studio

Katsushika Hokusai 葛飾北斎, 18th-19th century

Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

18th-19th centuryJapanese