PrintsJapanese19th century

Dancing Girl Mimyō from the Mirror of the East (Maime Mimyō: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Edo period, circa 1821-1822

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Woodblock print (surimono); ink, color, and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

shikishiban: H. 20.5 × W. 18 cm (8 1/16 × 7 1/16 in.)

Related Artworks

Prints

MOTHER AND CHILD

Utagawa Kunisada 歌川国貞, 19th century

19th centuryJapanese

Prints

Snapper (Isaki), Scorpionfish (Kasago) and Ginger (Shin shōga), from the series A Shoal of Fishes (Uo-zukushi)

Utagawa Hiroshige 歌川広重, Late Edo period, 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Fuji and Ascending Dragon (Tōryū no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

A Noble's Villa - Fuji at Sunamura (Kika bessō Sunamura no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Triptych: Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata)

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, dated September 1, 1900

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Travelers Conversing by Pine Tree/ Mishima, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Oiko Pouring Sake for a Warrior

Katsushika Hokusai 葛飾北斎, Edo period, 1829

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Courtesan as Gama (Liu Haichan), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, Edo period, circa 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

19th centuryJapanese

Prints

Rough Sketch of the Lighthouse of Chōshi Harbor in Shimōsa (Sōshū Chōshikō tōdai ryakuzu)

Yōsai Kuniteru II 曜斎国輝, Meiji period, late 19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

First Writing of the New Year (Kakizome), with poems by Okuraan Reiko, Shuchōdō Butsuryō and Yomo no Utagaki no Magao

Hishikawa Sori, Edo period, 1805

Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

18th-19th centuryJapanese

Prints

Travelers Eating Clam/ Kuwana, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Kogane Plain in Shimōsa Province (Shimōsa Kogane hara), from the series Thirty-six Views of Mount Fuji (Fuji sanjūrokkei)

Utagawa Hiroshige 歌川広重, 19th century

19th centuryJapanese