Qianlong period, 1736-1795
By the early eighteenth century, potters at Jingdezhen, in Jiangxi province, had learned to prepare opaque colors through the addition of tin oxide to the enamel-glaze compound. (Except for red enamel, which is naturally opaque, enamels on earlier porcelains are all transparent.) Opaque enamels allowed ceramic painters to create gradations in color, which enabled them to suggest the effects of light and shade and to impart a sense of roundness and volume to the objects depicted. Such gradations of color are most apparent here in the peaches. A symbol of longevity, the peach was considered an especially appropriate motif for display during birthday and New Year's celebrations.
H. 51.5 x Diam. 38.6 cm (20 1/4 x 15 3/16 in.)

Ceramic
20th centuryAmericanWhite to cream-colored stoneware with clear glaze. Reportedly recovered from a palace in Seoul.
13th-14th centuryKoreanFritware with molded decoration under turquoise glaze
13th-14th centuryPersianTerracotta
GreekTerracotta with brownish-black painted decoration
6th century BCEGreekJizhou-type ware, probably Tushan ware: light gray stoneware with variegated dark brown and transparent amber glazes over white slip ground. Probably from the kilns at Tushan, Sichuan province
12th-14th centuryChineseSilver gilt
17th centuryBritishWhite stoneware with pale celadon glaze over incised, molded, and appliqué decoration
11th-13th centuryVietnameseSilver
18th centuryAmericanNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze
10th-11th centuryChinese