PrintsJapanese19th century

Ikaiei fukin Tōshū-fu kō[?] gekisen no zu

Meiji period, dated 1894

Artists

Utagawa KokunimasaArtist

Classification

Prints

Medium

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 37.6 x W. 25.1 cm (14 13/16 x 9 7/8 in.)

Related Artworks

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Utagawa Yoshikazu, Late Edo period, second month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

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View of Tokyo(?)

Utagawa Kuniteru, Early Meiji period, late 19th century

Fourth sheet from right from a woodblock-printed "ōban" heptaptych; ink and color on paper

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Prints

Brush (Fude), the Third Companion with Ono no Tōfū, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)

Yashima Gakutei 八島岳亭, Edo period, circa 1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

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Pictures of Girl Meditating and Plum Tree through Window, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki)

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

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Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintai-bashi), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)

Utagawa Hiroshige II, Late Edo period, dated 1859

Ink on paper

19th centuryJapanese

Prints

Actor Nakamura Daikichi

Utagawa Toyokuni 歌川豊国, 19th century

Left panel from an ukiyo-e woodblock-printed "oban" diptych(?); ink and color on paper

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Prints

Cherry Blossom Viewing at Gotenyama, with program and greetings from Tanaka Mineyoshi, the student of Tanaka Denzaburō

Katsushika Hokusai 葛飾北斎, Edo period, possibly 1815

Ukiyo-e woodblock-printed "surimono" in "yokonagaban"; ink, color and metallic pigment on paper

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Prints

Triptych: First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

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Prints

Kanbara: Night Snow (Kanbara, yoru no yuki), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-1834 (Tenpō 4-5)

Woodblock print (nishiki-e); ink and color on paper

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Prints

Mokuboji Temple, Uchigawa Inlet, Gozensaihata (Mokuboji Uchigawa Gozensaihata), Number 92 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Actor Bando Mitsugorō 3rd Fighting Over Banner, part of a spring kyōka surimono pentaptych for the Sugawara Group led by Shakuyakutei Nagane

Utagawa Kunisada 歌川国貞, Edo period, circa 1822-1826 (mid Bunsei era)

First panel from an ukiyo-e woodblock-printed "shikishi-ban" surimono-format pentaptych; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

One Hundred Designs by Ogata Kōrin (Kōrin hyakuzu) in 2 volumes

Sakai Hōitsu 酒井抱一, Meiji period, dated 1897

Two books; ink on paper

19th centuryJapanese