PrintsJapanese19th century

Fuji at Daybreak (Akatsuki no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Edo period, circa 1835-1847

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed book page; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 22.7 cm x W. 14.8 cm (8 15/16 x 5 13/16 in.)

Related Artworks

Prints

View of the Pleasure Quarters of Yokohama (Yokohama kuruwa no zu)

Utagawa Kuniyoshi 歌川国芳, 1860 (Man'en 1), 6th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

THE FIFTY-THREE STATIONS OF THE TOKAIDO, "YUI"

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Fuji through Flowers (Kakan no Fuji): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Actor Ichikawa Danjūrō 8th Making Debut Performance of Shibaraku, with poems by Sanjō (father Ichikawa Danjurō 7th) and Bunbunsha

Utagawa Kunisada 歌川国貞, Edo period, circa 1830-1843 (Tempō era)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Prints

SMALL SERIES OF THE 53 STATIONS OF THE TOKAIDO. "YOSHIDA; TOYOKAWA BRIDGE" STATION NO. 35

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Courtesan as Gama (Liu Haichan), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, Edo period, circa 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

19th centuryJapanese

Prints

Pair of Swallows, from the series A Collection of Thirty-Six Birds and Animals (Sanjūroku tori zukushi)

Totoya Hokkei 魚屋北渓, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color and metallic pigment on paper with printed signature reading "Hokkei"

19th centuryJapanese

Prints

Tai Fish and Basket

Ryūryūkyo Shinsai 柳々居辰斎, early 19th century

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Nihonbashi, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, 1810 (Bunka 7)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Insect on a Banana Leaf

Kōno Bairei 幸野楳嶺, 19th century

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese