PrintsJapanese19th century

Clear Weather After Snow at Ejiri, from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan-tsugi no uchi)

Late Edo period, circa 1843-1846

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 33.6 x W. 22.3 cm (13 1/4 x 8 3/4 in.)

Related Artworks

Prints

Newly Arrived Camel Drawn from Life

Utagawa Yoshitoyo, fifth month of 1863

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Minamoto no Yorimitsu (Raikō), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Golden Dolphin Finial (Kanshi surimono for Fukunoya Uchinari[?], leader of the Shippō Group)

Totoya Hokkei 魚屋北渓, Edo period, circa 1830-1835

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink and color on paper

19th centuryJapanese

Prints

Komagata Hall, Azuma Bridge (Komagatadō Azumabashi), Number 62 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (1st month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Reflection in Lake Misaka, Kai Province (Kōshū Misaka suimen), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading "zen Hokusai Iitsu hitsu"

19th centuryJapanese

Prints

Nara Red Plum (Nara hibai ume), from the series Series for the Hanazono Group (Hanazono bantsuzuki)

Totoya Hokkei 魚屋北渓, c. 1823

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Harada Jūkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kōgeki zuiichi genkōsha Harada Jūkichi shi sentō funsen zu)

Mizuno Toshikata, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

TOKAIDO GOJU-SAN-TSUGI

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Snow at an Early Morning Market (Asa ichi no yuki) with Chinese Shopping for Vegetables, from the series Eight Views of Yokohama, Bushu (Bushu Yokohama hakkei no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Beautiful American Woman (Amerika bijo), from the series Views of Famous Places of Yokohama in Bushu (Bushu Yokohama meishō no zu), published by Inshūya Hikobei

Utagawa Yoshitora 歌川芳虎, Late Edo period, twelfth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Mibu no Hirokichi Sandai Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese