PrintsJapanese19th century

THIRTY-SIX VIEWS OF YEDO, "KASUMIGASEKI SETCHU"

19th century

Artists

Utagawa Hiroshige IIArtist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Actor Ichikawa Danjūrō 8th in the Role of a Villain (Niki Danjō?)

Utagawa Kunisada 歌川国貞, Edo period, circa 1830-1835 (early Tempō era)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Courtesan Changing and Old Woman (Inn Keeper) Taking out Umbrella/ Money Tree (Kane no naru ki), Extra (Yokyō) from the series Treasure Match (Takara awase), with poems by Jinsentei (Shinsentei) Hakushō, Kirakuan Yumezuki and Shinryūen Harukaze

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Edo Firemen Demonstrating Ladder-climbing During Festival

Utagawa Kuniyoshi 歌川国芳, 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

THE FAMOUS MONKEY BRIDGE IN KAI PROVINCE

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Dignitaries of the Empire Viewing Cherry Blossoms

Yōshū (Hashimoto) Chikanobu (楊洲周延), 1887 (Meiji 20)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Actor Ichikawa Danjūrō 7th as Umeomaru

Utagawa Kunisada 歌川国貞, Edo period, circa 1830

Panel from an ukiyo-e woodblock-printed "shikishi-ban"-format surimono triptych; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Triptych: Sergeant Kawasaki Crosses the River Daidōkō Alone (Kawasaki gunsō tanshin Daidōkō o wataru)

Mizuno Toshikata, Meiji period, dated 1894

Incomplete woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Scoop-net (Sumida River)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800-1801

Center panel from an "oban" triptych: Ukiyo-e woodblock print; ink and color on paper

19th centuryJapanese

Prints

Ōkura Uma no kami Yorifusa (Taiheikdan), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Shunmintei Tanenari

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

"Kaigun shoko to seishin no senryaku toron suru zu"

Mizuno Toshikata, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Black Seabream (Kurodai), Small Seabream (Kodai) and Japanese Peppercorns (Sansho), from the series A Shoal of Fishes (Uo-zukushi)

Utagawa Hiroshige 歌川広重, Late Edo period, 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Maisaka: View of Imagiri (Maisaka, Imagiri shinkei), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese