PaintingsJapanese16th century

Landscape

Muromachi period, mid 16th century

Artists

Matsu'ura TōzenArtist

Classification

Paintings

Medium

Hanging scroll; ink and color on paper

Culture

Japanese

Period

Muromachi period, 1392-1568

Century

16th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

image only: 70.1 x 35.2 cm (27 5/8 x 13 7/8 in.) display dimensions: 162.8 x 52.9 cm (64 1/8 x 20 13/16 in.)

Related Artworks

Paintings

Akashi, Illustration to Chapter 13 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

Illustrated Story of Mount Oe (Oeyama monogatari), Vol. 4

Unknown Artist, 16th-17th century

Handscroll: 4th of 4; ink, color, gold and silver on paper

16th-17th centuryJapanese

Paintings

Lover's Gift of a Chrysanthemum (Episode 18) from the "Tales of Ise" (Ise monogatari)

Tosa School, Late 16th to early 17th century

One of twelve album leaves; ink, color and gold on paper

16th-17th centuryJapanese

Paintings

Spring Shoots II (Wakana: ge), Illustration to Chapter 35 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Maiden of the Bridge (Hashihime), Illustration to Chapter 45 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

A Drifting Boat (Ukifune), Illustration to Chapter 51 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

Under the Cherry Blossoms (Hana no En), Illustration to Chapter 8 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Imperial Progress (Miyuki), Illustration to Chapter 29 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-ninth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Floating Bridge of Dreams (Yume no Ukihashi), Illustration to Chapter 54 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

Three Sages

Kano Sōshū, 16th century

Fan-shaped painting; ink and gold on mica-coated paper

16th centuryJapanese

Paintings

The Seer (Maboroshi), Illustration to Chapter 41 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

A Lover's Visit While Cherries Blossom (Episode 17) from the "Tales of Ise" (Ise monogatari)

Tosa School, Late 16th-early 17th century

One of twelve album leaves; ink, color and gold on paper

16th-17th centuryJapanese