PrintsJapanese19th century

Station 17 -- Satta Pass, Yui (Yui, Satta-mine), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan-tsugi no uchi)

Late Edo period, circa 1855

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 37.7 cm x W. 25.4 cm (14 13/16 x 10 in.)

Related Artworks

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Courtesan Tokaeri of Matsubaya with Attendants and New Year's Decorations (Kadokazari no Matsubaya uchi Tokaeri), fourth from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no yon), with poems by Fukusaitei Shimemaru

Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

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Session of the National Diet

Yōshū (Hashimoto) Chikanobu (楊洲周延), 1890 (Meiji 23)

Woodblock print (nishiki-e) triptych; ink and color on paper

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Dandelions and Flowers, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

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Diptych: Female Elephant from Central India (Tenjiku kudari daijōzō no zu), published by Otakuya Takichi

Ikkōsai Yoshimori 一光斎芳盛, Late Edo period, fourth month of 1861

Yokohama woodblock-printed ōban diptych; ink and color on paper

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Actor as Kan Shōjō

Utagawa Kunisada 歌川国貞, 19th century

Woodblock print (nishiki-e); ink and color on paper

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Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

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Prints

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase)

Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Eager to Meet her Lover

Utagawa Kunisada 歌川国貞, Edo period, 1859

Ukiyo-e woodblock print in "ōban" format; ink, color and embossing on paper, with printed signature reading "Toyokuni ga"

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Prints

Summer Fuji in Inage-ryō (Inage-ryō natsu no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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Fuji through Smoke (Enchū no Fuji): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

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Man Washing a Horse's Hoof/ The Horse-Presentation Ceremony (Aouma no sechie), Number Two from the series Three (Sanban no ni), with poems by Numahoko Shizuku, Ono no Yamazumi, Niji no Hashinari, Suwari Hōshi and Hananoya

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

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Album of Meiji Period Prints

Yōshū (Hashimoto) Chikanobu (楊洲周延), 19th century

Accordion-fold album of woodblock prints; ink and color on paper

19th centuryJapanese