PrintsJapanese19th century

Satsuma no Kami Tadanori (Taira no Tadanori), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Edo period, circa 1821

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color, mica, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.7 cm x W. 18.5 cm (8 1/8 x 7 5/16 in.)

Related Artworks

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Part of the Same (Sono ni) [Appearance of Hōeizan (Hōeizan shutsugen)]: Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

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Bride with Sake Cup/ Sujin, from the series Eight Drinking Immortals (Inchu Hassen), with poem by Yamabe no MIchitaka

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "jūni-giri ban" format; Ink, color and metallic pigment on paper

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Summer Fuji in Inage-ryō (Inage-ryō natsu no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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WOMAN HOLDING BASKET

Hokyo Koitsu, 19th century

Ukiyo-e woodblock-printed surimono; ink and color on paper

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Prints

Phoenix (Hōō), from the series Five Birds (Goki no uchi)

Kubo Shunman 窪俊満, Edo period, late 18th-early 19th century

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color and embossing on paper

18th-19th centuryJapanese

Prints

Courtesan Seated with a Sake Cup/ Edo, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukunairō Mamenari and Fukkaian Namiyoshi

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

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View of Gyōtoku Saltflats (Gyotoku Shiohama)

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print from key block ("nagasurimono" format); ink on paper

19th centuryJapanese

Prints

Pilgrim and Travelers Looking at a Cave Shrine/ Futagawa, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

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Kuga Dajōdaijin (Kokonchomonjū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Ki no Rakuzumi

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Steam Engine and Rickshaws

Unknown Artist, late 19th century

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Wedding Dolls, with poem by Suraien Tenma

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

First Dream of the New Year, with poems by Yohōtei Edanari and Hōnensha Yonenari

Katsushika Hokusai 葛飾北斎, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and bronze and silver dust on paper

19th centuryJapanese