PrintsJapanese19th century

Actor Ichikawa Danjūrō Sitting on the New Year's Treasures

Edo period, circa early 19th century

Artists

Utagawa Toyokuni 歌川豊国Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "yoko-chūban" format; ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.3 cm x W. 28.0 cm (8 x 11 in.)

Related Artworks

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Huang Xiang (ō Kō) Cooling the Hot Iron, from the series Twenty-Four Paragons of Filial Piety (Nijūshikō), for the Twenty-Four Paragons of Filial Piety Club (Nijūshikōren) -- Later facsimile?

Totoya Hokkei 魚屋北渓, Meiji period, late 19th century(?)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

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SCENES OF KYOTO, "ARASHIYAMA"

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

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Fukagawa Susaki and Jūmantsubo (Fukagawa Susaki Jūmantsubo), Number 107 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (5th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Prints

Two Women Spooling Silk Accompanied by Child

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Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

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Triptych: Famous Places of the Eastern Capital: Evening Cool at Ryōgoku Bridge

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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?, from the series Thirty-Six Views of Tokyo

Utagawa Kuniyoshi 歌川国芳, Late Edo period

Ukiyo-e woodblock print in ōban format; ink and color on paper

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Kingfisher and Bellflowers

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

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Falcon on Plum Branch, from the series A Collection of Thirty-Six Birds and Animals (Sanjūroku tori zukushi)

Totoya Hokkei 魚屋北渓, Edo period, circa 1825

Ukiyo-e woodblock-printed surimono in shikishi format; ink, color and metallic pigment on paper with printed signature reading "Hokkei"

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Geisha as the Seven Gods of Good Fortune (Shichifukujin)

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

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Prints

Large Moth and Four Small Butterflies, from the series An Illustrated Primer of Butterflies for the Kasumi Group made by Shō Shuman (Kasumi-ren gunchō gafu Shō Shunman sei)

Kubo Shunman 窪俊満, 1810s

Woodblock print (surimono); ink and color on paper

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Pheasants and Peach Blossoms, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates

Kubo Shunman 窪俊満, Edo period, circa 1810

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

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Painting, No. 4 from the series The Four Accomplishments (Kinkishoga)

Yashima Gakutei 八島岳亭, late 1810s

Woodblock print (surimono); ink, color, and metallic pigments on paper

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