PrintsJapanese19th century

Huang Xiang (ō Kō) Cooling the Hot Iron, from the series Twenty-Four Paragons of Filial Piety (Nijūshikō), for the Twenty-Four Paragons of Filial Piety Club (Nijūshikōren) -- Later facsimile?

Meiji period, late 19th century(?)

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.2 cm x W. 18.1 cm (8 3/8 x 7 1/8 in.)

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Oiko Pouring Sake for a Warrior

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Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

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Triptych: "Kaigun shoko to seishin no senryaku toron suru zu"

Mizuno Toshikata, Meiji period, dated 1894

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Detailed Image of Yokohama Honchō and the Minatozaki Pleasure Quarter (Yokohama honchō ... ni Minatozaki saiken zu)

Utagawa Sadahide, 1860 (Man'en 1), 6th month

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First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

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Travellers at Hiratsuka

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Hideyoshi and his Five Wives Viewing the Cherry Blossoms at Higashiyama

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True Picture of a Live Wild Tiger

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Illustrated Book on Annual Events in the Gay Quarters (Seirō ehon nenjū gyōji) in 2 volumes, designed with Jippensha Ikku (1775-1831)

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Combs and Hairpin, with poem by Sashineya Benjiku

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PEACOCK AND PEONIES

Utagawa Hiroshige 歌川広重, Late Edo period, 19th century

Ukiyo-e woodblock print; ink and color on paper

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