10th-11th century
An accurate assessment of the state of this bowl, “damaged but all original,” appears in a note in Calderwood’s handwriting pasted inside the foot ring. On the exterior, the bowl has lost much of its glaze and slip-painted decoration. Most of the present interior decoration is overpainting, but the remaining original surfaces provide evidence that the restorer has reconstructed the design with reasonable accuracy. The outermost inscription, in red, could be read as al-yumn (felicity). At the center, a band of braided strapwork encircles an elaborate composite motif of a diamond-shaped flower with four coiling arms that terminate in red disks and black trefoils. The reddish ceramic fabric was originally covered in a whitish slip and decorated in red, purplish black, and olive green. Straight, flaring walls rise from a low foot ring, which is covered in slip but unglazed.
11.7 x 34.4 cm (4 5/8 x 13 9/16 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Terracotta
ItalicMottled yellow nephrite; the stone of Central Asian origin, probably from Khotan
18th-19th centuryChineseTerracotta; pale reddish clay with slip
8th century BCEGreekEnamel
20th centuryAustrianCeramic
19th centuryGermanSplashed Jun ware: light gray stoneware with robin's-egg blue glaze enlivened with purple suffusions from copper filings
12th-13th centuryChineseSilver
17th centuryBritishCizhou ware: light gray stoneware with decoration incised and carved into an all-over coating of white slip, the whole piece covered with a clear, transparent glaze
12th centuryChineseLeaded bronze
4th-5th century CEMeroiticSilver
18th centuryBritishQingbai-type ware: light gray stoneware, the upper portion with pale sky-blue glaze over applique molded decoration
13th-14th centuryChinese