10th-11th century
An accurate assessment of the state of this bowl, “damaged but all original,” appears in a note in Calderwood’s handwriting pasted inside the foot ring. On the exterior, the bowl has lost much of its glaze and slip-painted decoration. Most of the present interior decoration is overpainting, but the remaining original surfaces provide evidence that the restorer has reconstructed the design with reasonable accuracy. The outermost inscription, in red, could be read as al-yumn (felicity). At the center, a band of braided strapwork encircles an elaborate composite motif of a diamond-shaped flower with four coiling arms that terminate in red disks and black trefoils. The reddish ceramic fabric was originally covered in a whitish slip and decorated in red, purplish black, and olive green. Straight, flaring walls rise from a low foot ring, which is covered in slip but unglazed.
11.7 x 34.4 cm (4 5/8 x 13 9/16 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Gray stoneware
2nd-1st century BCEChinesePlaster
Black earthenware
3rd millennium BCEChineseHard paste porcelain with feldspathic glaze
19th centuryGermanPale blue glass
1st-2nd century CERomanCeramic
13th centuryPersianTinned copper
16th-17th centuryPersianLacquer on papier-mache
19th-20th centuryIslamicSilver?
FrenchTerracotta
6th century BCEEtruscanSilver
7th-6th century BCEGreekTerracotta
5th century BCEGreek