10th-11th century
An accurate assessment of the state of this bowl, “damaged but all original,” appears in a note in Calderwood’s handwriting pasted inside the foot ring. On the exterior, the bowl has lost much of its glaze and slip-painted decoration. Most of the present interior decoration is overpainting, but the remaining original surfaces provide evidence that the restorer has reconstructed the design with reasonable accuracy. The outermost inscription, in red, could be read as al-yumn (felicity). At the center, a band of braided strapwork encircles an elaborate composite motif of a diamond-shaped flower with four coiling arms that terminate in red disks and black trefoils. The reddish ceramic fabric was originally covered in a whitish slip and decorated in red, purplish black, and olive green. Straight, flaring walls rise from a low foot ring, which is covered in slip but unglazed.
11.7 x 34.4 cm (4 5/8 x 13 9/16 in.)
[Mansour Gallery, London, 1971], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1971-2002), gift; to Harvard Art Museums, 2002.
Bronze
2nd millennium BCEIranianNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide, the lower portion dressed with dark brown slip
12th centuryChineseEnameled ware: porcelain with decoration reserved against an overglaze red enamel ground, the reserved elements embellished with green and black enamels; with underglaze cobalt-blue mark reading "Da Ming Jiajing nian zhi" on the base
16th centuryChineseGray earthenware
3rd-2nd millennium BCEChineseBlue glazed faience
1st-2nd century CERomanEarthenware
2nd-1st millennium BCEChineseSilver
17th-19th centuryFrenchTerracotta
4th century BCEEtruscanSilver
20th centuryBritishCeramic
18th centuryJapaneseLight gray stoneware with pitted, grayish white glaze
17th centuryJapanese