16th-17th century
A graceful foliate arabesque band, composed of twelve separate S curves terminating in five-lobed palmettes, runs just below the rim on the interior of this bowl. This decoration is subtly rendered with pierced dots and incised lines that reveal the grayish body of the bowl beneath its white slip coating. A clear glaze fills the piercings and covers the entire vessel with the exception of the concave base. Assigning this bowl to the eighteenth or nineteenth century runs counter to the results of the thermoluminescence analysis which suggest modern manufacture. The earlier dating is proposed for two reasons: first, the existence of two vessels acquired in Iran in the late nineteenth or very early twentieth century that also feature a decorative play between a grayish ceramic fabric and a white slip, and second, the fact that thermoluminescence is generally not as reliable for dating early modern ceramics as it is for medieval or ancient material. Despite numerous cracks, this bowl is intact.
9.7 x 26.9 cm (3 13/16 x 10 9/16 in.)
[Mansour Gallery, London, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Gray stoneware
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5th-6th centuryKoreanMottled buff and olive-green nephrite, dimly translucent at the edges
3rd century BCE-1st century CEChineseNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 4 (si) inscribed on base before firing
15th centuryChineseHard-paste decorated with polychrome enamels
18th-19th centuryGermanTerracotta
6th-5th century BCEGreekCeramic
18th centuryAustrianBlack and red glaze
4th-3rd century BCEGreekHard-paste porcelain, polychrome enamel decoration, and gilding
18th centuryGermanGray stoneware with combed and appliqué decoration, perhaps originally with a fitted spout
5th centuryKoreanTerracotta
GreekEarthenware with slip-painted decoration
4th-3rd millennium BCEChinese