16th-17th century
A graceful foliate arabesque band, composed of twelve separate S curves terminating in five-lobed palmettes, runs just below the rim on the interior of this bowl. This decoration is subtly rendered with pierced dots and incised lines that reveal the grayish body of the bowl beneath its white slip coating. A clear glaze fills the piercings and covers the entire vessel with the exception of the concave base. Assigning this bowl to the eighteenth or nineteenth century runs counter to the results of the thermoluminescence analysis which suggest modern manufacture. The earlier dating is proposed for two reasons: first, the existence of two vessels acquired in Iran in the late nineteenth or very early twentieth century that also feature a decorative play between a grayish ceramic fabric and a white slip, and second, the fact that thermoluminescence is generally not as reliable for dating early modern ceramics as it is for medieval or ancient material. Despite numerous cracks, this bowl is intact.
9.7 x 26.9 cm (3 13/16 x 10 9/16 in.)
[Mansour Gallery, London, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Brown-and-white ware: porcelain with decoration painted in underglaze iron-brown slip. From kilns at Kwangju, Kyŏnggi province.
17th centuryKoreanNickel silver and ebony
20th centuryGermanGilt silver
17th centuryDutchPlaster
Terracotta
4th century BCEGreekStoneware
19th-20th centuryFrenchEnamel
20th centuryAustrianEnameled porcelain: porcelain with decoration painted in overglaze polychrome enamels
19th-20th centuryChineseCeramic
18th centuryJapaneseSilver and pewter; box: silver, wood, shagreen, and velvet
18th centuryBritishCarved rhinoceros horn
17th centuryChinese