16th-17th century
A graceful foliate arabesque band, composed of twelve separate S curves terminating in five-lobed palmettes, runs just below the rim on the interior of this bowl. This decoration is subtly rendered with pierced dots and incised lines that reveal the grayish body of the bowl beneath its white slip coating. A clear glaze fills the piercings and covers the entire vessel with the exception of the concave base. Assigning this bowl to the eighteenth or nineteenth century runs counter to the results of the thermoluminescence analysis which suggest modern manufacture. The earlier dating is proposed for two reasons: first, the existence of two vessels acquired in Iran in the late nineteenth or very early twentieth century that also feature a decorative play between a grayish ceramic fabric and a white slip, and second, the fact that thermoluminescence is generally not as reliable for dating early modern ceramics as it is for medieval or ancient material. Despite numerous cracks, this bowl is intact.
9.7 x 26.9 cm (3 13/16 x 10 9/16 in.)
[Mansour Gallery, London, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Grayish green nephrite; carved wood
19th-20th centuryChineseCeramic
16th centuryItalianTerracotta
5th century BCEGreekSilver
18th centuryAmericanTerracotta
5th century BCEGreekEnameled blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue on upper and lower sections, the central register with red, yellow, and aubergine enamels over incised decoration on biscuit porcelain
16th-17th centuryChineseStone: greenish color with lighter inclusions
3rd-4th century CEGandharanNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide, the lowest portion of the exterior dressed with black slip. From the Xiaoyu cun kilns at Huairen, Shanxi province.
12th centuryChineseSilver
18th centuryBritishSilver
17th centuryBritishTerracotta
Minoan