12th-13th century
On the interior of this bowl, a seated couple flanks a central, checkered tree, which— together with the fish swimming below and a busy network of thin, curving vines—conveys the idea of a garden setting. Along the walls of the bowl are six roundels decorated alternately with harpies and human figures. Like birds, harpies are commonly found in Persian Islamic ceramics and usually carry auspicious connotations. The area just below the rim is decorated with a pseudo-inscription with plaited verticals. The exterior features double vertical lines bracketing loosely painted scrolls. Recent museum conservation of the bowl has showed it to be made up of fifteen major fragments, but all join fairly smoothly, indicating that nothing has been lost from the original object. The luster is brilliant and reddish in tone.
9.5 x 21.1 cm (3 3/4 x 8 5/16 in.)
[Hadji Baba Rabbi House of Antiquities, Teheran, 1972], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1972-2002), gift; to Harvard Art Museums, 2002.
Copper alloy
3rd century BCEEtruscanEnamel on copper
16th centuryFrenchPorcelain with decoration painted in underglaze cobalt blue and with overglaze polychrome enamels added at a later date
16th-17th centuryChineseEarthenware with three-color (sancai) lead glaze
12th-13th centuryChineseLight gray stoneware with mottled greenish-brown glaze. Probably made near Ŭijŏngbu, Kyŏnggi province.
18th-19th centuryKoreanTerracotta
8th century BCEGreekCrossbar: Bronze; Rivet: Copper
4th-3rd century BCEGreek or EtruscanReddish earthenware covered in white slip and painted with black (manganese and iron) under clear lead glaze
10th centuryTerracotta
6th century BCEGreekCeramic
16th-17th centuryJapaneseMedium gray stoneware
11th-12th centuryKoreanGray earthenware with cold-painted pigments
2nd-1st century BCEChinese