12th-13th century
The interior of this bowl is divided into eight equal sections by lines, embellished with dots and twining tendrils, that spring from triangular arabesques and terminate with pairs of small, silhouetted birds toward the rim. Each section contains a palmette-filled pendant. Around the rim runs an angular pseudo-inscription. Paired lines divide the exterior of the bowl into sections, which are filled with loosely painted scrolls. The twining tendrils and the palmette-enclosing pendants on the interior of this bowl are very common in Persian lusterwares. The bowl is intact, and the quality of its luster is remarkable. The white glaze does not cover the foot, which the potter would have held when dipping the vessel into the glazing compound before firing.
9 x 21.7 cm (3 9/16 x 8 9/16 in.)
[Hadji Baba Rabbi House of Antiquities, Teheran,1972], sold; to Stanford and Norma Jean Calderwood, Belmont, Massachusetts, (1972-2002), gift; to the Harvard Art Museums, 2002.
Stoneware with salt glaze
18th centuryBritishNumbered Jun ware: light gray stoneware with variegated blue glaze; with Chinese numeral 7 (qi) inscribed on base before firing
15th centuryChineseInlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips. Reportedly recovered from a tomb north of Ch'ŏngsu Temple, Kangwha Island, Kyŏnggi province.
13th centuryKoreanSancai ("three color") ware: pinkish white earthenware with lead-fluxed, cobalt-blue splahed clear glaze on the interior and lead-fluxed cobalt-blue glaze on the exterior, the (slightly degraded) glazes over a white-slip ground
8th centuryChineseTerracotta
5th century BCEGreekCeramic
18th centuryJapaneseTerracotta with bands of black, red and white pigment
7th-6th century BCEItalicTang white ware: white stoneware with clear glaze
8th-9th centuryChinesePink fritware covered in plaster and painted with black (chromium) under turquoise (copper) translucent lead alkali glaze
20th centuryEtched glass
17th centuryDutch