PrintsJapanese19th century

Appearance of Hōeizan (Hōeizan shutsugen): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Edo period, 1834 (Tempō 5)

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed book page; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

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Actor Bando Mitsugorō 3rd Fighting Over Banner, part of a spring kyōka surimono pentaptych for the Sugawara Group led by Shakuyakutei Nagane

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First panel from an ukiyo-e woodblock-printed "shikishi-ban" surimono-format pentaptych; ink, color and metallic pigment on paper

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Prints

Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-Six views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Woodblock print; ink and color on paper

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Prints

Attacking Pyongyang, Our Soldiers Conquer the Enemy Fortress (Heijō kōgeki waga gun tekirui o nuku)

Mizuno Toshikata, 1894 (Meiji 27), September 17

Woodblock print (nishiki-e) triptych; ink and color on paper

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Prints

Hokusai manga (Hokusai Sketchbooks), vol. 14

Katsushika Hokusai 葛飾北斎, Late Edo period, circa 1834

Woodblock-printed book; ink and light color on paper

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Prints

Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, datable to 1884

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Tobosaku Stealing a Peach of Immortality, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi)

Yanagawa Shigenobu 柳川重信, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color, metallic pigment and embossing on paper, with printed seal reading "Shigenobu"

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Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

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Huang Xiang (ō Kō) Cooling the Hot Iron, from the series Twenty-Four Paragons of Filial Piety (Nijūshikō), for the Twenty-Four Paragons of Filial Piety Club (Nijūshikōren) -- Later facsimile?

Totoya Hokkei 魚屋北渓, Meiji period, late 19th century(?)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

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Prints

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku)

Chōbunsai Eishi 鳥文斎栄之, late 18th to early 19th century

Woodblock print (nishiki-e); ink and color on paper

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Prints

Attacking Pyongyang: The Japanese Army Forged through the Enemy Stronghold (Heijō Kōgeki waga gun tekiruio nuku)

Mizuno Toshikata, Meiji period, dated 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Land of the Pygmies (Kojin koku)

Tsukioka Yoshitoshi 月岡芳年, Fifth month of 1863

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

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Procession of Women Carrying Palanquin

Utagawa Toyohiro 歌川豊広, 19th century

Seventh of eight(?) ukiyo-e book pages from a continuous woodblock-printed composition; ink and color on paper

19th centuryJapanese