

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
Explore all movies including trending, top rated, and upcoming releases
Browse popular TV shows, top rated series, and shows airing today
Discover content from Netflix, HBO, Disney+ and other streaming platforms
Discover actors, directors, and other film industry professionals