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Discover artworks from the Harvard Art Museums collection

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224083 results

Mask
Sculpture
Mask
Unidentified Artist, 3rd-7th century

Gray limestone with traces of polychromy

3rd-7th centuryMexican
Bridge & Metropolitan Tower, Cleveland, Ohio
Photographs
Bridge & Metropolitan Tower, Cleveland, Ohio
Margaret Bourke-White, 1929
20th centuryAmerican
Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va.: Chair Caning.
Photographs
Races, Negroes: United States. Virginia. Hampton. Hampton Normal and Industrial School: Agencies Promoting Assimilation of the Negro. Training for Commercial and Industrial Employment. Hampton Normal and Agricultural Institute, Hampton, Va.: Chair Caning.
Frances Benjamin Johnston, 1899-1900
19th-20th centuryAmerican
After Motherwell
Photographs
After Motherwell
Vik Muniz, 2002

Iris prints with silkscreen varnish

20th-21st centuryBrazilian
The Serf
Sculpture
The Serf
Henri Matisse, 1900-1903

Bronze

19th-20th centuryFrench
The Incoming Boat
Photographs
The Incoming Boat
Alfred Stieglitz, 1897
19th centuryAmerican
Folio from a Qur'an: Sura 49: mid 15 - begin 16 (recto), Sura 49: 16 (verso)
Manuscripts
Folio from a Qur'an: Sura 49: mid 15 - begin 16 (recto), Sura 49: 16 (verso)
Unknown Artist, 9th century

Ink and gold on parchment

9th centuryArab
Untitled ("Hooverville," Circleville, Ohio)
Photographs
Untitled ("Hooverville," Circleville, Ohio)
Ben Shahn, July 1938-August 1938
20th centuryAmerican
Buddha Standing on an Octagonal, Double-Lotus Base with His Right Hand Raised in the Abhaya-mudra and His Left Hand Lowered in the Varada-mudra, Probably the Buddha Shakyamuni (Sŏk'kamoni Yŏrae)
Sculpture
Buddha Standing on an Octagonal, Double-Lotus Base with His Right Hand Raised in the Abhaya-mudra and His Left Hand Lowered in the Varada-mudra, Probably the Buddha Shakyamuni (Sŏk'kamoni Yŏrae)
Unknown Artist, 8th-9th century

Gilt bronze

8th-9th centuryKorean
Untitled
Drawings
Untitled
Arshile Gorky, 1944

Graphite and colored wax crayons with stumping on off-white wove paper edged with lavender paper on left and right sides

20th centuryAmerican
Proto-Elamite Statuette of a Monkey
Sculpture
Proto-Elamite Statuette of a Monkey
Unknown Artist, c. 3000 BCE

Gypsum

4th millennium BCEIranian
The Road in the Forest
Prints
The Road in the Forest
Hilaire-Germain-Edgar Degas, 1890

Monotype in oil

19th centuryFrench
Zōchōten (Virūdhaka), Guardian King of the South: One of the Shitennō (Devarājas) or Four Heavenly Guardian Kings
Sculpture
Zōchōten (Virūdhaka), Guardian King of the South: One of the Shitennō (Devarājas) or Four Heavenly Guardian Kings
Unknown Artist, Nambokuchō to Muromachi period, 14th-15th century

Wood, multiple-woodblock construction; with polychromy and gilding

14th-15th centuryJapanese
Pen Box with Flowers, Birds, and Portraits
Artists' Tools
Pen Box with Flowers, Birds, and Portraits
Haydar 'Ali, 1873-1874

Opaque and semi-opaque watercolor on prepared pasteboard under shellac varnish

19th century
When the Morning Stars Sang Together and All the Sons of God Shouted for Joy
Stained Glass
When the Morning Stars Sang Together and All the Sons of God Shouted for Joy
John La Farge, c. 1884-1885

Pot metal, opalescent, and uncolored glass with vitreous paint

19th centuryAmerican
The Sisters
Paintings
The Sisters
Washington Allston, c. 1816-1817

Oil on canvas

19th centuryAmerican
Self-Portrait
Prints
Self-Portrait
Anthony van Dyck, c. 1626-1633

Etching on off-white antique laid paper

17th centuryFlemish
Untitled
Drawings
Untitled
Eva Hesse, 1962

Graphite, gouache, crayon, black ink and collage on thin cream wove paper

20th centuryAmerican
Untitled (negro sunshine)
Sculpture
Untitled (negro sunshine)
Glenn Ligon, 2005

Neon

21st centuryAmerican
Chin'gwang Wang, First of the Ten Kings of Hell
Paintings
Chin'gwang Wang, First of the Ten Kings of Hell
Unknown Artist, late 14th century

Hanging scroll; ink, colors, and gold pigment on silk; with a brush-written inscription reading "Che il Chin'gwang Wang" (第一秦廣王) in a rectangular red cartouche in the upper right corner

14th centuryKorean
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