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  1. Harvard Art Museums
  2. Sculpture

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Discover artworks from the Harvard Art Museums collection

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Standing Female Figure
Sculpture
Standing Female Figure
Felix Lacomte, 18th-19th century

Terracotta

18th-19th centuryFrench
The Pianiste
Sculpture
The Pianiste
Elie Nadelman, c. 1920-1924

Stained and painted wood, and iron wire

20th centuryAmerican
SEATED LOHAN
Sculpture
SEATED LOHAN
Unknown Artist, 19th century

Metal

19th centuryChinese
Standing Buddha in Abhayavara Mudra, Udayana type
Sculpture
Standing Buddha in Abhayavara Mudra, Udayana type
Unknown Artist, 18th-19th century

Gilt bronze with traces of black pigment (black lacquer?) in the hair

18th-19th centuryChinese
Standing Harpokrates
Sculpture
Standing Harpokrates
Unknown Artist, mid 7th-late 1st century BCE

Bronze

7th-1st century BCEEgyptian
Miniature Animal
Sculpture
Miniature Animal
Unknown Artist, 5th century BCE

Silver

5th century BCEIranian
Vulture
Sculpture
Vulture
Alfred Barye, 19th century

Bronze with black with brown patina

19th centuryFrench
Censing Angel
Sculpture
Censing Angel
Arnolfo di Cambio, c. 1294-1302

Marble

13th-14th centuryItalian
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with a Textured Blanket over the Saddle
Sculpture
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with a Textured Blanket over the Saddle
Unknown Artist, 7th-early 8th century

Molded white earthenware with cold-painted pigments over white ground

7th-8th centuryChinese
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse, the Saddle Placed over a Patterned Blanket
Sculpture
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse, the Saddle Placed over a Patterned Blanket
Unknown Artist, 7th-early 8th century

Molded white earthenware with cold-painted pigments over white ground

7th-8th centuryChinese
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with Right Foreleg Raised and with Blanket over the Saddle
Sculpture
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with Right Foreleg Raised and with Blanket over the Saddle
Unknown Artist, late 7th-first half 8th century

Molded pinkish white earthenware with traces of cold-painted pigments over white ground

7th-8th centuryChinese
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with a Blanket over the Saddle
Sculpture
Tomb Figurine in the Form of a Standing, Bridled, Saddled Horse with a Blanket over the Saddle
Unknown Artist, first half 8th century

"Sancai" (three-color) ware: molded white earthenware with emerald green, caramel brown, amber yellow, and clear lead-fluxed glazes; unglazed areas with cold-painted pigments on a white ground

Chinese
Equestrian Statue of Louis XIV (1638-1715)
Sculpture
Equestrian Statue of Louis XIV (1638-1715)
Martin Desjardins, early 18th century

Bronze

17th centuryFrench
The Girl from Senegal
Sculpture
The Girl from Senegal
Jacob Epstein, 1921

Bronze

20th centuryBritish
Tomb Furnishing in the Form of a Cash-box or Chest with Stylized Floral Decor
Sculpture
Tomb Furnishing in the Form of a Cash-box or Chest with Stylized Floral Decor
Unknown Artist, probably 9th century

Sancai ("three-color") ware: molded white earthenware with variegated, lead-fluxed clear, emerald-green, and caramel-brown glazes. Probably from kilns at Luoyang or Gongxian, Henan province.

9th centuryChinese
Tomb Figurine in the Form of a Standing Chestnut Horse
Sculpture
Tomb Figurine in the Form of a Standing Chestnut Horse
Unknown Artist, first half 8th century

Sancai ("three color") family of wares: molded pinkish white earthenware with caramel-brown and pale-green lead-fluxed glazes (and with grooved spine for attachment of hair from the mane of an actual horse)

8th centuryChinese
Large Tomb Figurine in the Form of a Standing Bactrian Camel
Sculpture
Large Tomb Figurine in the Form of a Standing Bactrian Camel
Unknown Artist, first half 8th century

Sancai ("three-color") ware: off-white earthenware with clear and caramel-brown lead-fluxed glazes, and with traces of cold-painted pigments in localized areas

8th centuryChinese
Tomb Figurine in the Form of a Lion-Faced Earth Spirit
Sculpture
Tomb Figurine in the Form of a Lion-Faced Earth Spirit
Unknown Artist, first half 8th century

Sancai ("three-color") ware: molded white earthenware with emerald-green, caramel-brown, and clear lead-fluxed glazes and with traces of cold-painted pigments on the unglazed areas

8th centuryChinese
Tomb Figure in the Form of a Court Attendant Wearing Upturned Shoes, 'Liangdang' Breastplate, and Official's Headgear, with His Hands Clasped at His Chest, and Standing on a Perforated Rocky Base
Sculpture
Tomb Figure in the Form of a Court Attendant Wearing Upturned Shoes, 'Liangdang' Breastplate, and Official's Headgear, with His Hands Clasped at His Chest, and Standing on a Perforated Rocky Base
Unknown Artist, first half 8th century

Sancai ("three-color") ware: molded white earthenware with caramel-brown and emerald-green lead-fluxed glazes and with traces of cold-painted pigments on the unglazed areas

8th centuryChinese
Tomb Figure in the Form of a Military Attendant Wearing Boots, 'Liangdang' Breastplate, and Headgear Emblazoned with a Descending Bird in Flight, the Attendant's Hands Clasped at His Chest, and Standing on a Perforated Rocky Base
Sculpture
Tomb Figure in the Form of a Military Attendant Wearing Boots, 'Liangdang' Breastplate, and Headgear Emblazoned with a Descending Bird in Flight, the Attendant's Hands Clasped at His Chest, and Standing on a Perforated Rocky Base
Unknown Artist, first half 8th century

Sancai ("three-color") ware: molded white earthenware with caramel-brown and emerald-green lead-fluxed glazes and with traces of cold-painted pigments on the unglazed areas

8th centuryChinese
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