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Aoi Slope, Outside Toranomon Gate (Toranomon-soto Aoizaka), Number 113 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (11th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Oumaya Riverbank (Oumayagashi), Number 105 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Koume Embankment (Koumezutsumi), Number 104 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (2nd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), Number 90 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (9th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 7th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Nihonbashi, Clearing After Snow (Nihonbashi yukibare), Number 1 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 5th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Nakagawa River Mouth (Nakagawaguchi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 20th century

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 9th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), Number 100 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), Number 100 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), Number 100 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Inside Akiba Shrine, Ukeji (Ukeji Akiba no keidai), Number 91 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Teppōzu and Tsukiji Hongan-ji Temple (Teppōzu Tsukiji Monzeki), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), here called One Hudred Views of Edo for Entertainment (Edo hyakkei yokyō)

Utagawa Hiroshige 歌川広重, 20th century

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Original Fuji, Meguro (Meguro Moto-Fuji), Number 25 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Suidō Bridge and Surugadai (Suidōbashi Surugadai), Number 48 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (5th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Spiral Hall, Five Hundred Rakan Temple (Gohyaku Rakan Sazaidō), Number 66 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Sugatami Bridge, Omokage Bridge and Gravel Pit at Takata (Takata Sugataminohashi Omokagenohashi jariba), Number 116 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (1st month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Hall of Thirty-Three Bays, Fukagawa (Fukagawa Sanjūsangendō), Number 69 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Yatsumi Bridge (Yatsumi no hashi), Number 45 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Inari Bridge and Minato Shrine, Teppōzu (Teppōzu Inaribashi Minato Jinja), Number 77 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (2nd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

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