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Discover artworks from the Harvard Art Museums collection

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Cranes on the Seashore/The Reed Shell (Ashigai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color, gold, metallic pigment, and embossing on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

19th centuryJapanese

Prints

The Sleep of Reason Produces Monsters

Francisco José de Goya y Lucientes, 18th century

18th centurySpanish

Prints

Do Women Have to Be Naked to Get Into the Metropolitan Museum?

Guerrilla Girls, 20th century

20th centuryAmerican

Prints

The Bath

Mary Cassatt, 1890-1891

19th centuryAmerican

Prints

The Eye, Like a Strange Balloon Moves Towards Infinity

Odilon Redon, 1882

Lithograph, chine collé, on heavy cream wove paper

19th centuryFrench

Prints

Sumida River Crossing (Sumidagawa watashiba no zu)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, circa 1847-1852

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Sumida River Crossing (Sumidagawa watashiba no zu)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, circa 1847-1852

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Sumida River Crossing (Sumidagawa watashiba no zu)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, circa 1847-1852

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Sumida River Crossing (Sumidagawa watashiba no zu)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, circa 1847-1852

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

A Likely Place for a Salmon

Francis Seymour Haden, 1869

19th centuryBritish

Prints

Saturn, Seated with three Putti Holding a Painting

Giovanni Francesco Grimaldi, 17th century

Etching with polishing scratches and platetone

17th centuryItalian

Prints

Bunpō gafu zen (Model Sketches by Bunpō)

Kawamura Bunpō 河村文鳳, 1807-1813

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Prints

Bunpō gafu nihen (Model Sketches by Bunpō vol.2)

Kawamura Bunpō 河村文鳳, 1807-1813

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Prints

Bunpō gafu sanben (Model Sketches by Bunpō vol.3)

Kawamura Bunpō 河村文鳳, 1807-1813

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Prints

Alfred Lord Tennyson, after Millais

Thomas Oldham Barlow, 19th century

19th centuryBritish

Prints

Triptych: Battle of Okehazama in Bishū, Owari Province (Bishū Okehazama kassen)

Utagawa Toyonobu, Meiji period, dated 1883

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature on leftmost print reading "Ichiyōsai Toyonobu ga"

19th centuryJapanese

Prints

Battle of Okehazama in Bishū, Owari Province (Bishū Okehazama kassen)

Utagawa Toyonobu, Meiji period, dated 1883

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper (with printed signature on leftmost print from the same triptych reading "Ichiyōsai Toyonobu ga")

19th centuryJapanese

Prints

Battle of Okehazama in Bishū, Owari Province (Bishū Okehazama kassen)

Utagawa Toyonobu, Meiji period, dated 1883

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper (with printed signature on leftmost print from the same triptych reading "Ichiyōsai Toyonobu ga")

19th centuryJapanese