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Satsuma Fuku no Uri Buntoku Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)
Prints
Satsuma Fuku no Uri Buntoku Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)
Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese
Inkstone, Murasaki Shikibu (Suzuri, Murasaki Shikibu), from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bunbō shiyū)
Prints
Inkstone, Murasaki Shikibu (Suzuri, Murasaki Shikibu), from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bunbō shiyū)
Yashima Gakutei 八島岳亭, c. 1827

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese
Brush (Fude), the Third Companion with Ono no Tōfū, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)
Prints
Brush (Fude), the Third Companion with Ono no Tōfū, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)
Yashima Gakutei 八島岳亭, Edo period, circa 1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

19th centuryJapanese
Paper (Kami), the Fourth Companion with Fujiwara Teika, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)
Prints
Paper (Kami), the Fourth Companion with Fujiwara Teika, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)
Yashima Gakutei 八島岳亭, Edo period, circa 1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

19th centuryJapanese
Pictures of Geisha and Peacock, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki), with a poem by Asanoya Naonari
Prints
Pictures of Geisha and Peacock, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki), with a poem by Asanoya Naonari
Yashima Gakutei 八島岳亭, c. 1822-1823

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese
Courtesan Arranging Flowers, with poems by Ryūsuitei Sodezumi and Senryūtei Karamaru
Prints
Courtesan Arranging Flowers, with poems by Ryūsuitei Sodezumi and Senryūtei Karamaru
Yashima Gakutei 八島岳亭, Edo period, circa 1818-1830

Ukiyo-e woodblock-printed "surimono" in "fan" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Woman with Poetry Slip (Tanzaku), with poems by Reitensha Sodenari, Ryūsuitei Sodezumi and Senrūtei
Prints
Woman with Poetry Slip (Tanzaku), with poems by Reitensha Sodenari, Ryūsuitei Sodezumi and Senrūtei
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Kamakura Udaijin (Minamoto no Sanetomo), from the series Six Immortal Warrior Poets (Buke rokkasen)
Prints
Kamakura Udaijin (Minamoto no Sanetomo), from the series Six Immortal Warrior Poets (Buke rokkasen)
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

19th centuryJapanese
Ota Dōkan, from the series Six Immortal Warrior Poets (Buke rokkasen)
Prints
Ota Dōkan, from the series Six Immortal Warrior Poets (Buke rokkasen)
Yashima Gakutei 八島岳亭, Edo period, circa 1823-1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

19th centuryJapanese
Taira Tadanori, from the series Six Immortal Warrior Poets (Buke rokkasen)
Prints
Taira Tadanori, from the series Six Immortal Warrior Poets (Buke rokkasen)
Yashima Gakutei 八島岳亭, Edo period, circa 1823-1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

19th centuryJapanese
Zhang Fei (Chōhi), Number Three (sono san) from the series Three Great Men of Shu (Shoku sanketsu), with a poem by Shinsen'en Sagimaru
Prints
Zhang Fei (Chōhi), Number Three (sono san) from the series Three Great Men of Shu (Shoku sanketsu), with a poem by Shinsen'en Sagimaru
Yashima Gakutei 八島岳亭, Edo period, circa 1824-1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei Sadaoka ekaki"

19th centuryJapanese
Courtesan Suehiro of the Ōgiya with Attendants and New Year's Gifts (Toshidama no Ōgiya uchi Suehiro), first from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no ichi), with poems by Seikaitei Kamehito and Sawanoya
Prints
Courtesan Suehiro of the Ōgiya with Attendants and New Year's Gifts (Toshidama no Ōgiya uchi Suehiro), first from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no ichi), with poems by Seikaitei Kamehito and Sawanoya
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Koromode with Attendants during a Lull in the Snow (Yukima no Wakanaya uchi Koromode), second from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no ni), with poems by Suihōtei Komatsu and Hisakataya
Prints
Courtesan Koromode with Attendants during a Lull in the Snow (Yukima no Wakanaya uchi Koromode), second from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no ni), with poems by Suihōtei Komatsu and Hisakataya
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Chitose of Tsuruya with Attendants Enjoying the New Year's Sky (Hatsusora no Tsuruya uchi Chitose), from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no san), with poems by Amanoya Wakashiba and Hisakataya
Prints
Courtesan Chitose of Tsuruya with Attendants Enjoying the New Year's Sky (Hatsusora no Tsuruya uchi Chitose), from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no san), with poems by Amanoya Wakashiba and Hisakataya
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Tokaeri of Matsubaya with Attendants and New Year's Decorations (Kadokazari no Matsubaya uchi Tokaeri), fourth from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no yon), with poems by Fukusaitei Shimemaru
Prints
Courtesan Tokaeri of Matsubaya with Attendants and New Year's Decorations (Kadokazari no Matsubaya uchi Tokaeri), fourth from the series Views of the Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no yon), with poems by Fukusaitei Shimemaru
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Hitofude of Tamaya with Attendants on the Way to the First Writing of the New Year (Kakizome no Tamaya uchi Hitofude), fifth from the series Views of Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no go), with poems by Minogame Osa
Prints
Courtesan Hitofude of Tamaya with Attendants on the Way to the First Writing of the New Year (Kakizome no Tamaya uchi Hitofude), fifth from the series Views of Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no go), with poems by Minogame Osa
Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Writing Materials, Pot of Adonis (Fukujusō) and Screen
Prints
Writing Materials, Pot of Adonis (Fukujusō) and Screen
Yashima Gakutei 八島岳亭, c. 1820

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese
Warrior Carrying Court Lady and Warrior with Torch/ Tale of Ise (Ise monogatari), from the series Ten Romances for the Honchō Circle (Honchōren monogatari jūban), with poems by Kanenoya Arizumi and an associate
Prints
Warrior Carrying Court Lady and Warrior with Torch/ Tale of Ise (Ise monogatari), from the series Ten Romances for the Honchō Circle (Honchōren monogatari jūban), with poems by Kanenoya Arizumi and an associate
Yashima Gakutei 八島岳亭, Edo period, circa 1819

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Actor Ichikawa Danjūrō 7th in Shibaraku from the Rear
Prints
Actor Ichikawa Danjūrō 7th in Shibaraku from the Rear
Yashima Gakutei 八島岳亭, Edo period, circa 1823-1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese
Chinese Warrior Grappling with a Horse (Uma), from the series Twelve Zodiac Animals (Jūnishi)
Prints
Chinese Warrior Grappling with a Horse (Uma), from the series Twelve Zodiac Animals (Jūnishi)
Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica and metallic pigment on paper

19th centuryJapanese
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